End of the Year blog time

Yes we have reached the end of 2013!  With this being my last post of the year I wanted to take a minute to look back and reflect on the changes we have seen in music and then look to the future and give some predictions of what we might see in 2014.  So without further ado here we go:

In 2013 we saw turmoil and upheaval in the Underground music scene.  It has been one year since Twiztid left Psychopathic.  In that time we saw them release A New Nightmare, return to the Gathering as Guest performers, go on two tours in support of their last release on Psychopathic, Abominationz, and open a new web store.  While they have yet to release an official statement about their release the speculation behind A New Nightmare is that it tells their side without a statement being needed. 
  We also saw what many of us hope is not the future of Psychopathic Records.  In the past year the label has released the following albums: Legz Diamond 9 Pistolas, DJ Clay A World Upside Down, Big Hoodoo Crystal Skull, and Zug Izland Toxicology.  Those albums all fell way short of the expectations Juggalos had.  Legz and Hoodoo were both heavily co-written and influenced by Joe Bruce and that really hurt the albums.  Clay's album was good but nothing really outstanding.  And Zug's was not really promoted and I have yet to actually hear it.  We also saw them bounce every check they wrote for the Gathering and have yet to this day not paid those people.  I firmly believe that is why the Gathering is being moved, but I don't have any evidence of that so for now it is a theory.  We saw them let Blaze leave when his contract ended, send people on the road with limited funds and little to no promotion, and have lawsuits filed against them for sexual harassment and other charges.
  We saw the Kottonmouth Kings leave Suburban Noize Records and claim Kevin Zinger was ripping them off.  Since then we have seen hateful accusations in interviews on both sides.  We also watched Johnny Richter walk away from the Kottonmouth Kings after 18 years and go solo.  He released a solo EP called FreeKING Out on Suburban Noize Records and is preparing to release his next solo LP next year.
  The highlight of the Underground music scene this year was Strange Music.  In 2013 the label released ten albums.  Releases from Brotha Lynch Hung, Kutt Calhoun, CES Cru, Rittz, Wrekonize, Mayday, Tech N9ne, Stevie Stone, Krizz Kaliko, and Prozak.  All of those albums were expertly done and will not disappoint both mainstream and underground fans.  This label has shown themselves to be the cream of the crop.  They put out top notch music throughout the year and kept the fans eager to buy the next.  This is how it should be done.

Now lets leave the past behind us and look to the future.  I am going to break this section down per record label or group and then give you my thoughts on what I expect to happen.

  First lets look at Psychopathic Records.  The release of the Joker's Cards Box Set has been delayed from it's Dec 17, 2013 release date and there is no new date given.  The speculation is this was done due to immediate backlash when pics surfaced of the product itself.  We expect Anybody Killa "Shape Shifter", a new ICP EP, Mike E Clark, Vanilla Ice, and Axe Murder Boys "Garcia Brothers" to all be released in 2014 but no release dates have been given as of the date of this post.  We also will see the Gathering of the Juggalos change venues for the first time since 2007.  We still have no information on where it will be but there is plenty of speculation on the net. 
 Now here is what I think is going to happen with them this year:

1. The ABK, Vanilla Ice, and AMB releases will all be released and do horrible due to lack of promotion or they will not be released at all and delayed.
2.  ICP and Mike Clark will be released and hopefully live up to expectations although I am skeptical they will.
3. This will be on of the last years for the Gathering.  After the events that occurred last year I think they will have a difficult time finding groups to perform, sites for the event, and money to make it happen.
4. Finally I think we will see a large number of fans drop the hatchet.  I know I will get some hate for that prediction but we have already seen a lot of old school cats walk away.  Once Twiztid left there was a huge group of fans that lost all respect for Joe and Psychopathic Records.  I expect those trends to continue as long as mediocre albums are released and horrible business decisions are made.

Next lets see what Twiztid has in store for us.  They have announced that a new album is on the way.  It will be titled "The Moment You've All Been Waiting For." They have also announced that they would like to get more TV and movie opportunities.  So let me share what I think is going to happen with the demented Duo:

1. The new album will be released.  I think it will be the beginning of their rise in mainstream as well as cementing their legacy in the underground.
2. I think they will tour for a majority of the year again.  I also think they will make a trip out of the country if legal issues permit it (Canada and maybe Australia).
3. I think we will finally see the collab most Juggalos have been demanding, Eminem and Twiztid.  If it does happen you can count on this being the year of Twiztid.

Next lets look at KMK.  I think we will see KMK really disappear.  Once the "lawsuit" gets settled I think KMK will release a new album and possibly tour in support of the album but I do not see them climbing out of the hole that Daddy X has put them in.

Let now look at Suburban Noize Records.  I think we will see them bounce back from the lawsuit well.  Once the legal issues are cleared up we will see them sign at least 2-3 more acts.  I predict we will see Potluck release a successful album and tour in support of that album.  I think it will begin the rise of Subnoize back to a respectable label.  I do think Johnny Richter will release his next album on Subnoize and it will be a huge success.

Finally here is what I think we will see from Strange Music.  I think they will continue to put out solid releases from all of their artists.  I think they will once again hold the flame for the underground.  They will be the beacon for crossover fans.  Their label is going strong and I do not see that slowing down in 2014.

Now all of these things may or may not happen.  These are just my thoughts.  I can't tell you how much I appreciate you checking out my blog as often as you guys do.  I wish you all a a Happy New Year and want to thank you for your continued support!

MMFWFL,

Juggalotus

Turmoil and changes

  Many long term established groups and record labels in the music business have begun to break apart this year.  We have seen Twiztid and Blaze leave Psychopathic Records, we are seeing the downfall of Psychopathic Records due to horrible business decisions, Daddy X and the Kottonmouth Kings leave Subnoize Records, and Johnny Richter leave the Kottonmouth Kings and release an album on Subnoize.  So why is this in my mind right now?  Well I got an email today and will be adding another interview to my 20 Min with.. series on Youtube with none other than Johnny Richter himself when he rolls through Tempe on Dec 15.  He did give an interview to Faygoluvers where he answered questions fans had submitted online and that cleared up a lot of his side of the story.  By doing my interview I can ask expanding questions to hopefully clarify more about that situation. 

  It is sad to me that all of these situations have to do with two things, power and money.  Let me make my points here before you guys hang me.

1. While Twiztid has been unable to say anything about why they left Psychopathic these themes seem to be universal in people that left the label.  Violent J is too controlling with production and all things involved with recording and performing, they wont pay any other act on the label what they are worth, and the only group getting 100% production and promotion time is ICP.  Violent J and Billy should have done everything to make Twiztid stay.  They should have promoted them better, gave them a bigger cut of the money off their albums, and made them bigger decision makers in the label.  But the money and power that those 2 guys couldn't let go helped make that decision easy for Jaime and Paul.  I think all of these things contributed to Twiztid deciding it was better to walk away.

2. Psychopathic's business decisions are killing the label.  We have seen them allow Twiztid leave when Twiztid was in my opinion the #1 group on the label.  They have stripped everything they built away from the "Family"  Violent J and Billy have made Psychopathic into a money machine that uses it's fans.  Sure we have seen in the past 3 different covers of albums (Melinko and Riddlebox), but those were made in small numbers and made to be a collectable for the fans.  Now we get 5 different versions of albums mass produced and each one has 1 or 2 new tracks to entice people to buy them.  Then about a year or so later they re-release the same 3-4 albums in a huge box set with another "version" to get people to buy another copy of all the albums.  In the past we saw them give away things to the fans, show love without buying the VIP pass for the shows, and basically present themselves as Juggalos themselves.  Now we see that was just a ruse to gain a huge ravenous fan base to use for profit.  They have become the big record label tycoons they told all of us they never would become.  Last year's Gathering saw them cut checks to vendors, police departments, and Hogrock that all haven't cleared.  I think this is why this year's Gathering is being moved to another place.  I predict in the next 5-7 years we will see the end of the label.

3. KMK split from Subnoize Records with Daddy X claiming that they were the first of many groups we would see leave Kevin Zinger due to his "Shady business tactics."  Since the split was released we have seen no other groups leaving the label.  On top of that we now have Johnny Richter leaving KMK and making another album with Zinger on Subnoize.  The more we hear Daddy X whine and complain the more their fans turn on the group.  We still don't have all the facts but it is becoming very clear that Daddy X is falling on the losing side of the debate.  I hope to be able to get some more clarification in the next week when I get a chance to talk with Richter and review his solo tour.

So as you can see all of these situations were because of shady business practices, refusal to give up power, or greed.  I will always be a Juggalo.  I will always love music and be willing to listen and review anything people send me.  I will always speak my mind and give a 100% honest opinion on the albums, situations, and other things in the business.  No one will ever make me tone down my honesty.  I hate coming on here and talking about negative things.  In this case I am so tired of seeing these great movements and groups dismantle and disappear while nobody is willing to stand up for the fans and say enough is enough.  We deserve a little consideration and respect.

Respect is something that is earned in this community and these things make all of us wanna walk away.  Truth is I considered it myself.  But I feel like fighting for this because it means that much to me.  I have nothing but clown love for all my Juggalos and Juggalettes.  I have mad respect for Twiztid, Johnny Richter, and Subnoize Records.

MMFWFL,

Juggalotus

Why local Hip Hop is failing

Since I have moved to Tucson I have noticed the same thing I have noticed in any city I have lived in for the past ten years, Local Hip Hop artists refuse to support other artists in their cities.  There seems to be this accepted understanding that if you or your friends do not like another group of people you have to do everything you can to stop them from making moves.  I understand that the complex mix of envy, jealousy, fear, anger, and loyalty drives this idea.  The local hip hop scene is dying a slow death because of this philosophy. 

  The solution to this problem is quite simple, whether you like the music they make or not you should have respect for the fact they are trying to make it just like you.  The other day on Facebook the guy who runs the Tucson Rap page posted a cypher which had 4 white guys on it as part of his Southwest Cypher Series.  Almost immediately another rapper posted this:

 "Y'all need to stop showing these whack white boy rappers and focus on artists. The only true artists in tucson are EMG, EZ Goin, the Kennedy's and efresh. Stop showing this stupid typical tucson rap because that's why no one gives tucson love."

This is exactly what I am talking about.  This guy has a few people he supports and because of race has decided the guy on that cypher are whack.  It is a fact one of the best rappers in the world is Eminem and he is white.  I think it is time we move beyond the idea that a persons skin color makes or breaks their ability in Rap and Hip Hop.  Why does it matter if the guys on the cypher are white?  It doesn't.  Stacc Styles is one of the best chopping rappers in this city.  Crookyd is hands down one of the best battle rappers here.  They have been asked to perform at shows and have been the only Tucson rappers on the bill.  This isn't by chance it is because they work constantly on their craft.  They don't make cheap ass music or music videos.  The hustle hard, make quality music, and always have their eyes on what is important, their career and what they want to accomplish.  That is how you succeed.  They also show love to anyone trying to make it and actually doing the work needed to make it.  Rap isn't a hobby, I have said it before, it is a business.  In order to succeed you need to do anything and everything to make it.  Deprive yourself of sleep and other things to make your dreams happen.

There have been times I have heard people say "I would love to see the headliner but I don't support the locals on the show so I am not going."  How does this make any sense?  You should be buying tickets to shows for the headliner not the locals.  Who knows if people gave someone they heard was whack a chance they might actually dig what the guy(s) do.  If local scenes continue to get shows of 25-30 people and by the time the headliner is out you can count the fans on your hands because the fans only came to support their friends then rappers and other artists who can give you exposure will not come to town.  Then nobody wins.  Small or big a national tour can get you exposure and fans nationwide.  If any artists refuses to see that then it is time to quit and get a 9-5 job.

There is a movement by some on social media to "support locals" and that in words is great.  But the same people who post such things do not back up that idea with actions.  What they in turn are saying is "Come support my friends because I think they deserve it, but I will not return the favor."  As local shows refuse to support one another the entire movement fails.  Not until we can all band together and support people because of their hustle, abilities, and drive and stop hate because of envy, jealousy, fear, anger, and blind loyalty will the hip hop movement in any city begin to see success and love from anyone outside of that city. 

MMFWFL,

Juggalotus

Random rant on society

So a few things in the world have gotten out of hand and to be honest I am sick of hearing about them.  So this post is really me venting and hopefully you guys can give me feedback not just criticism.

The past few weeks I have heard a lot about the government furlough and have personally seen how it is effecting military personnel and civilian government employees.  My issues with this topic are this:

Why should congress and the president continue to get paid?  Yes it is granted by the constitution that their pay will not stop.  But in this case I think they all should voluntarily donate their paychecks to pay the military, civilian, and veterans who still have to go to work without pay in most cases.  The furlough happened because the government failed to do their job!  The military and civilians didn't cause these problems.  The government and their petty arguments caused it all.  Facts are this, Obamacare sucks, neither party gives a crap about any of us until their job is up for reelection (Which I feel doesn't even matter because I feel most of our "free" elections are rigged and our choice doesn't matter) and then they tell us what we need to hear to vote them back in knowing once they secure the office they will not do a damn thing they promised, and both parties are striving for the same goal (Government take over and totalitarian rule).

So what can we as citizen do about it?  Nothing.  Absolutely nothing we do matters.  We have given the government so much power nothing we say matters.  We can rise up and fight the government and I think Americans should throw all of those people out of office and start over.  But once the citizens rise up against the governments we will just begin to get slaughtered.  I hate to say it but at this point we have given so much away we are beyond any repair.

 Another topic I keep hearing about is peoples sexuality.  I will be honest, NOBODY cares who you are doing or not doing.  Until you tell people your preference no one can tell.  But I will say once you tell the world that preference you need to be prepared for people that agree and don't agree with your choice.  We dont all have to agree or be o.k. with anyone else s lifestyle.  We all need to shut our mouths and keep our private business private.  Unlike racism or the civil rights movement until you stand up and yell from the mountain tops your sexual orientation nobody can tell.  The civil rights movement was about being repressed and persecuted because of the color of your skin.  That is 100% obvious the second you see someone.  Unfortunately racism will never cease to exist because people will keep being ignorant.  Your sexuality is private and not immediately obvious unless you make it that way.

 The next topic is abortion.  Let me clue you in on something, it was not the babies choice for you to get pregnant or get someone pregnant it was your choice.  Why would you punish a life that is 100% dependent on you for survival because you couldn't take precautions to prevent it?  With all of the options out there for birth control there is only 2 reasons pregnancy happens, you had unprotected sex to get pregnant or you took the risk even though you knew the consequences.  Either way the fetus had no choice in that.  You might be killing the next Einstein, Beethoven, or rocket scientist.

 Finally I am sick and tired of hearing how guns kill people.  I will let you in on a little secret, Guns do not work unless human hands pull the trigger.  Yes if it is dropped it can misfire but that is not what the argument is about.  People in the government, media, and communities claim that our constitutional right to bear arms should restrict what arms we can own.  Nowhere in the constitution does it clarify what I can or cannot own as a firearm.  But those supporters of gun control want you to believe that an AR-15 is more deadly than a knife.  This is true and untrue.  Yes it can shoot more rounds quicker.  But it only shoots one round per trigger pull.  No matter what guns are taken out of law abiding citizens hands criminals will still get weapons and commit crime.  Look at prohibition if you need an example of this.

 So there you have it.  My rant on all the crap is society pissing me off.  I will get back to my music posts and hope you all will stick with me and even have an intelligent debate about these topics.

MMFWFL,

Juggalotus

Peeling off the masks in the Underground

I don't think this blog will come as a surprise to most that frequent here. But in recent months, ever since Twiztid left Psychopathic Records, there have been numerous reports, interviews, emails, and lawsuits that are exposing a side of the label I think most of us didn't want to ever see. The side of the label that is focused on money, lust, and mob style tactics.

A report was released last week of a lawsuit from a former "in-house" legal Counsel/publicist claiming that many employees within Psychopathic Records engaged in prolonged sexual harassment, intimidation, and creating a hostile work environment. Having read the lawsuit here are the highlights:

1. She was consistently called a bitch by everyone around her including Billy.

2. She was consistently subject to unwanted sexual advances from Dirty Dan and others.

3. Sugar Slam created a hostile work environment due to her jealousy toward the woman suing them.

4. Dirty Dan gave a glass dildo upon finding out she had recently separated from her boyfriend.

5. She was asked to cover up wage issues being investigated by the US Labor board.

6. She was asked to act unethically in a legal capacity to cover up many things within the organization.

Now those are the major issues in the lawsuit. It is 17 pages long and filled with a ton of fluff such as "I was always being flirted with" type comments. But looking at those six issues I can say if they are true there is a serious issue within the label. Yet another sign things are sliding downhill quicker than anyone in Psychopathic wants to admit. Then a few days later it came out that many vendors from this year’s Gathering either hadn’t been paid or the checks they were given would not clear the bank. The total of those debts is around $300,000. Are we really seeing that Psychopathic is broke? Maybe or maybe not but either way it doesn't look good at this point.

So I log in today and see yet another story about the business dealings in the label in the form of two anonymous emails sent to testdummy22 from someone he says is in the inner circle of the label and a very reliable source. Those 2 emails state:

ANONYMOUS MESSAGE SENT TO: TestDummy 22 from ?????, (A EMPLOYEE AT PSYCHOPATHIC RECORDS, AND A VERY RELIABLE SORCE) TESTDUMMY 22 *Some of this e-mail was cut out to protect the identity of sender* I gotta be honest man, I'm deeply disapp...ointed in this company. I had hooked up with Mike Clark down in Detroit at the fowling warehouse. We had a long conversation that night about Psychopathic and at one point Mike was almost in tears telling me about how he believed they were brothers (Him,Joe and Joey) and when it came down to it Joe tossed their friendship in the trash and chose to steal millions of dollars from him. The money he was referring to was from the first 5 cards and associated Eps that he was was tricked into signing away all his publishing on. Fucking devastating right? What if you made millions and someone stole it from you? How would you feel? I was fucking floored that they would do that to him but it doesn't surprise me because its the music business and he was naive to the workings of the music business. They fucked Mike HARD and it hurt him, he's still bitter today make no mistake. The only reason he does shit with them anymore is because he has to make money and he loves the juggalos. At the GOTJ last year and he was literally sobbing because the potential for what this movement could have been in the hands of people who cared could have been massive. Mikes just going through the motions now, his heart is not with ICP anymore. Mike isn't a problem, he's fine the way he is, its everyone else thats the problem. I mean, Joe doesn't exactly pick Mikes best stuff and at the end of the day EVERYTHING you hear out of Psychopathic is a product of Joe Bruce is some way shape or form. Mike still makes great shit, but Joe don't know how to pick it and in my opinion he actually picks some of the worst beats I have ever heard regardless of who the producer is.

And:

ANONYMOUS MESSAGE SENT TO: TestDummy 22 from ?????, (A EMPLOYEE AT PSYCHOPATHIC RECORDS, AND A VERY RELIABLE SORCE) TESTDUMMY 22 Here's the reality of Psychopathic. It's not a business, its a hustle. ... I noticed Kuma is not really talked about in the juggalo community, First of all Kuma is Joe's bitch, I don't know if you know that or not? Kuma wears all hats at psychopathic and basically fails at all of them. When I first met Kuma I thought he was a super cool genuine dude and he had me believing that for the majority of my time at psychopathic,but as time went on and I started to question his abilities is when I started seeing a drastic change in his attitude towards me. Kuma is the source of all things generic at Psychopathic. He's the reason everything comes out like watered down cheap rip offs, he's the reason the informercials suck, he's responsible for the worst videos in ICP history and thats why Joe is using outside directors and producers now, i'm not just being a dick i'm being honest, Kuma is the source of suck but they refuse to fire him because he's loyal and he rides that dick HARD. Ok, so, Eric Heiden is the only special effects guy at psychopathic and he calls Kuma out on not being able to his job in front of Billy and Rob. Billy and Rob decide instead of firing Kuma they will remove him from the video department, fire me and stick him in the lotus pod. I honestly feel deep sorrow for the fans at this point because the future of this label is pretty much completely abandoned. It obvious they don't give a fuck and honestly Big Hoodoo is just a way for Joe to make himself feel better about Twiztid leaving the label, thats all. I wouldn't be surprised if he only lasted one or two records tops. You said it yourself, when were juggalos most happy? That was when ICP, Twiztid,Lotus,Blaze were rocking out. That will never happen again bro, it's over.

Now with that out there let me just say if the first email is true, which wouldn't surprise me, I am truly disappointed they would do Mike Clark like that. I do feel that Mike Clark supports the fans and has nothing but love for the movement. I also think that we are seeing that Violent J and Billy have a firm grip on everything and everyone under Psychopathic, they have given into greed and arrogance, and they have become everything they claim to despise in the business.

I think things like this point to more and more reasons why Twiztid walked away.  Although they are unable to say anything about their release publically I would not be surprised if once the timeframe of that silence is over we see the final pieces fall from the masks J and Billy have worn for so long.

I have long said that Alex leaving changed the entire dynamic of the label. It went from a movement that meant something to a gross exploitation of a dedicated and rabid fan base. I am going to get hate mail for this post and I expect it. Don't misunderstand me, I support ICP and all other artists on the label but I do not support the business tactics that Billy and Joe have instituted to make millions. I respect what they built, what they have done independently, and the movement they started. But having done business with certain members within the label I can attest that the mob tactics are used to get things out of people. Threats are made to ensure they make money even if they do nothing to earn or deserve that money. They will threaten not only the person they have the dispute with but also their wives, husbands, and children to get paid. The reason the FBI began to investigate them was extortion, wage payment issues, and illegal activities similar to street gangs. As long as they and their fans continue to act like thugs we will never shake this stigma.

I am saddened by the state of the record label. I am even more saddened by the fact Joe has become everything he hated. I sincerely hope He and Billy realize this is the wrong path to be on and can save what all of us have come to love. If not I know Twiztid, Strange, Mad Insanity and Subnoize are poised to take over the underground and make us proud.

MMFWFL,

Juggalotus

The fine line between business and friendship

Anyone in this business knows that we all take our steps into this business with friends usually.  We find our lifelong friends or people we grow to know as friends and make our way into music together.  Most of the time the line between friendship and business is hard to distinguish.  Most people are unable to separate the decisions made for the benefit of the group or business from personal feelings if things don't work out.  This is the case for Black Project and I today. 

I am not going to dive into great detail but will say that some business I had outside of the group has been rough.  I had trusted friends to let me vent when things were not going the best.  Due to this my friend felt the need to approach the other party in that other business.  I talked with that party last night and let them know I wasn't happy my friend took it upon himself to write and get into business that wasn't his own, even though I understood he was just trying to look out for me as a friend.  This whole series of events led to a huge disagreement between them.  I refused to take sides and in the end Black Project felt by me not taking sides I was not taking their side.  Then made the decision to not keep me as their manager.

While I did not want that to happen I cannot stop them from making that decision.  So I made a public announcement stating that they were released from Wicked Butterfly Entertainment due to professional disagreements, because to me that is what it is.  I have nothing but respect for Black Project and wish them the best in all they do in the future.  I have at every turn put my own money up to pay for studio time, demo pressing, and other expenses and allowed them to pay me back at their leisure.  I never pressed them to get me the money back immediately as I understood their circumstances.  I have taken a lot of my time, energy, and finances to help them be successful.  In return today one of them went on a twenty minute rant saying I did nothing for them, held them back, and hurt their career.  I am really sorry he feels this way as this is the first time I have heard they were not happy.  Our management contract was a six month contract the ended officially at the beginning of January and I have not pressed them to renew it, so I have been providing my services for nothing but our friendship.  I have put up my own funds in this time to mix and master tracks for them to have for shows they had coming up.

I cannot change how anyone feels but I can say that I have acted in a professional manner in the best interest of Black Project for over a year.  I have gained absolutely nothing for myself financially.  At this point I have lost money I have put into the group. 

I will not ever attack them personally as I have no issue with them on the personal side of things.  Business wise I am upset they feel like I screwed them over but once again I will not say anything negative about them.  Part of being in business is understanding that not every bad thing that happens is personal.  Sometimes people are mad because that line gets crossed.  Sometimes people involve themselves in dealing that they have no involvement in except to be a friend to one or more of the parties.

It is a hard lesson for people to learn or see happen and I wish nothing but the best for my homies in Black Project.  I am always here if they need advice or to vent as unlikely as that may be.

Keep business as business and friends as friends.  Make sure you don't blur the lines and think business decisions are anything but just that.

MMFWFL,

Juggalotus

2013 Gathering of the Juggalos thoughts

So the Gathering of the Juggalos went back “Underground” this year.  The event has been going on since Wed Aug 7 as people started lining up to get into the grounds.  Well on Monday Aug 5 there were several people who overdosed and had to be taken to the hospital; mind you this was before anyone was allowed to be there except the crew setting everything up!  Having gone to the event last year I saw more drugs available than anywhere else I have ever been.  This should have been a sign of things to come.  The apparent drug causing the problems is a designer drug called 25I.  The street name for the drug is N-Bomb, Smiles, and 25I.  It is similar to LSD in its effect on people. 

News breaks Friday that someone was found dead in their tent of apparent overdose.  The cause was initially reported as 25I but has also been reported as a Heroin overdose.  No matter what the cause this is absolutely horrible news.  Why you ask?  Well it is simple, the public at large is finding any way possible to label us delinquents and shut the Gathering down.  Drugs have expanded way out of control and last year I saw people who were obviously “professional” dealers who were only there to make money off dumb ass Juggalos who did not even remember their experience at the Gathering because they were wasted the entire time.  Drugs are out of control at this event.  Why is this important to me?  I GIVE A CRAP that’s why!  People need to go out there and enjoy themselves but this is getting ridiculous.  We have now lost Family because of this problem.  I suggest we as Family get this under control.  This is our Mecca (as Violent J said today). 

Now the other huge news everyone was waiting for was promised by Violent J to be “The biggest news we have ever released in our career!” and we were promised this life changing news at the seminar today.  Let’s briefly go over what they released at the seminar:

·         Juggalos at the Gathering are the most elite Juggalos on the planet!

·         ICP considers the Gathering the mecca of Juggalo-ism

• He gives us the epitome of news in the Juggalo world
• Psychopathic is resuming the Mighty Death Pop tour right after J’s knee surgery
• Tour will include Denver, Salt Lake City, Albuquerque, Florida, Texas; Last show of the tour will be Hallowicked
• November dates for the tour in Australia
• ICP theater has 8 episodes (3 of which have aired so far).  If ratings are good, they will get 25 more episodes for season 2!
• They are starting the 3rd Joker’s card of the new deck after Hallowicked!
• Planning of the 3rd card will be more precise
• It will be available on CD!  The rumor that it would only be on digital is “straight bullshit”
• He said the difference between a physical copy of the album and a digital copy is like the difference between porn and a real neden!
• They are bringing back Psychopathic Radio after the Gathering!
• Shaggy is off probation (finally!) so they will be touring in Canada!
• On Juggalo day, they will be performing the Great Milenko in its entirety! It will be available on iPPV, and may not be in Detroit!  More Joker’s cards shows are in the works!
• Violent JJ made 3 beats (beatboxing) and they will release it on the Internet
• 6th Joker’s card box set is ready to go!
• Violent J confirmed that Blaze ya Dead Homie did officially leave
• Psychopathic isn’t trying to replace anyone who left, just trying to leave a legacy of great artists!
• They want to do more concept music like Wizard of the Hood or solo albums like Shaggy’s Fuck the Fuck Off
• They said that Twiztid told Psychopathic they were leaving via text message
• They then announced that Axe Murder Boyz and Boondox  are officially back on the label!
• Everyone was handed a ticket before the seminar started, without knowing what it was about.  They then started talking about the  Chronicles of the Dark Carnival series that was filmed for SyFy years ago.
• They said that the end product they got back had a “little twinge of suck”.  Jumpsteady said it was SO BAD that it came full circle and ended up being entertaining again!
• They said it would ONLY be available for Juggalos who were in attendance at this year’s Gathering!

Now with that in mind what could possibly have been the huge earth shattering news? 

ICP is touring Australia? 

AMB and Boondox have resigned with Psychopathic?

Blaze leaving the label?

Are any of those the Biggest news ever?   NO.  So I take this list of news as just that, news.  ICP once again pulled the wool over Juggalos eyes to sell tickets and get people in the door.  As I have discussed before ICP is all about the bottom line.  They don’t care about the Family any more.  They knew the lineup this year, while great underground acts were on the set list, was not enough to sell enough tickets.  So J tells us all they are going to drop devastating, huge, Juggalo world changing news.  And we get nothing.  Then we are told there is a mystery seminar after ICP that I think everyone including me thought would be Twiztid.  Nope Twiztid and Blaze bounced and the seminar became AMB and Boondox.  Don’t get me wrong Boondox dropping some good news that I am pumped about but really why not give Twiztid a seminar? 

How many times are we going to see the fan base abused by this label and do nothing about it.  When Twiztid left I didn’t want to “take sides” and I still support the music Psychopathic, Twiztid and Blaze put out there.  I think J and Shaggy need to seriously look at what has happened.  Alex left and it has been a steady decline into money and ego. 

People will read this and some will agree while others disagree.  I will take heat for saying these things but I know people out there who view it the same way (testdummy22 and I see eye to eye on a lot) and that is ok.  I have opinions and so does everyone else.  The one thing about me that never changes (whether it is CD reviews, Event reviews, my blog and opinions, or anything else I do) is that I am honest and will say what I believe to be the truth. 

I still rep the hatchet and will always support the underground movement.  This years Gathering has shown me that the Mecca for the Family is on life support.  Attendance was down, we had a death, and we saw a glimmer of hope that things were ok with the ending of the Lotus set (which quickly went away when J told the family Twiztid left via text. That was a low blow if you ask me), and the police getting a “financial” advance from the “organizers” (Psychopathic) which let them buy new equipment for the force.

I love my Family and hate to feel like this whole movement has been shifted in the wrong direction.  I hope things will change and we will see Juggalos return and rebuild what has been lost.  I hate to say I feel that movement is now with Twiztid but that is how I see it. 

Let’s hear your opinions people, I welcome everyone’s thoughts!

MMFWFL,

Juggalotus

Paying dues

The more I work with artists on all levels in the music business the more I am seeing the downfall of the industry.  Far too many rappers bring the street mentality to business.  By this I mean they handle their music career like they would handle a drug deal on the street.  Established artists continually fail to remember that they once were opening shows in their local areas and struggling to make ends meet.  They use their position in the business to abuse, intimidate, and use local acts to pad their bank accounts.  Popular performers in local cities are charging nationwide touring prices for a show in their home cities.  And up and coming artists are no longer willing to put in work to get known and advance their careers beyond the local level.

Each of these things is killing the business locally and nationally.  I am going to break each one down so I can expand on the problems I see and ways we can overcome these issues and once again make live music exciting, profitable, and most of all trustworthy.

First the big name acts.  These people have paid their dues.  They deserve to get paid above the cost of their tours to do a show.  They have earned the right to ask people to pay a reasonable ticket price to see their shows.  They have marketed themselves, have national exposure and following, and have earned their spot on the ladder.  The problem comes in when these acts use that position to not only exploit promoters and local acts but abuse their position and prevent others from making moves up the ladder after them, thus killing competition.  I have personally seen "street tactics" used to exploit promoters for money that they were not entitled because shows had been cancelled.  These shows usually do not have a non-refundable deposit (Which would protect that shows cost for the artist) and normally do not have a signed contract to back up their claims.  So the artists end up making verbal threats and resorting to these "street tactics" to exploit money they are not entitled.  The other way they kill up and coming artists is by charging thousands of dollars to do a verse for the newer artists.  Most of the time the big name artist does little to no actual thinking about the verse they record.  They give a canned verse to a beat or a verse they had recorded for something else.  There are some out there that do not do these things and those people have earned my respect.

Next we have the big local name act.  These guys may be known in the city, state, or region they are in and are entitled to get paid a small amount to do shows in these areas.  They have earned the right to charge a few hundred dollars and travel expenses to do shows but not more than that.  These guys usually are easier to deal with but some can still have the ego issues and have been known to back out of shows at the last minute and not give the booker/promoter anything back for the time, energy, and money invested in promoting these guys for those shows.  A lot of these guys promote their own shows and then fall into the habit of charging openers high amounts to fill slots on their shows knowing their notoriety locally will "encourage" the smaller local acts to pay just to have the right to say they were selected by the artist to open their shows.  Once again not all of the bigger local names are like this and you can find trustworthy people to work with.

Lastly is the local guys who have paid to open shows for these big local or national names and now feel entitled to be paid for their performance, not have to sell tickets, or be treated like a big fish when they are not.  These people usually resort to "street tactics" because that is all they know.  Some sell drugs, are in gangs, and are too young to have any business experience or knowledge.  Those reasons are why "beef" gets brought into shows causing violence and making venues not host any hip hop or rap shows.  Cities that have been huge support cities for major artists have been crippled by these things.  These artists have yet to earn their stripes.  They haven’t paid their dues.  They have no right to charge a promoter to open the show with no guaranteed ticket sales or assistance in promotion.  In my blog "what-exactly-is-pay-to-play" I outline how a show should be booked and promoted.  This format makes everyone some profit for every show.  This is the format these types of people should be following when they do local shows.

I have quite a few low and mid-level artists in the business that I speak with frequently and they agree that this format is the best one for everyone.  Many of the mid-level guys still only charge a small appearance fee and travel costs to go anywhere and do a show.  They do this not because they can’t get paid more money but they understand they haven’t earned that right yet.  They are still grinding and hustling to get known nationwide.  They know how to properly work up in this business.  These types of artists give me hope that live music isn't and will not be dead in the near future.

There was a time in this business it was like a family.  We all looked out for one another and supported each other because we had to in order to survive.  We all went to shows, stayed for everyone’s sets, bought merchandise from others, and stood by one another to make every show a kick ass time.  I truly believe this mentality isn’t dead.  I believe that honest hard working artists still exist and know that by grinding, paying their dues, and supporting others will pay off in the end.  Yes there will always be snakes who take advantage of this.  That is why we must stand up and stop these abuses from happening.  Stop paying high value for minimal effort.  Stop letting these abusers get away with it.  This is a BUSINESS and should be handled as such.  Live music should be an event.  It should make people not want to leave because for several hours they were able to leave their problems and worries at the door and cut loose.  In the end everyone should leave with something, whether that is money, memories, or new friends.

MMFWFL,

Juggalotus

The Movement

A ton has happened in the last week and I have learned a great deal.

First thing I wanted to formally address was the first show Wicked Butterfly Entertainment booked and promoted here in Tucson, the Snug Brim Arroggant Tour. After James Barone royally screwed that tour booking up Snug Brim trusted a long time friend to rebook the tour. For those who don't know James Barone was taking deposits from promoters and artists and not passing the cash onto Snug Brim. Anyway the tour got re-booked and I sent Snug Brim the first half of his appearance fee, $225.00. Not a lot but it was what had been negotiated. After he got that money I could not reach him for any kind of flight info, arrival times, or anything. Bottom line is Snug Brim no-showed the appearance and has yet to return any of that deposit money back to me. No I normally don't air dirty laundry on here but I think if a thief is discovered they should be called out! Despite that fact the show went awesome. I heard many comments that it was the best local show they have had here in Tucson in many years. As many of you know from previous blogs I promote so that the artists, venues, and myself all make money in the end. If you want to know how I do it go back and read my last few blogs. The night had a variety of local Tucson Hip Hop artists. They included first time performances by From Tha Ash and Chi!pz, Full Kontakt Entertainment, Tha Silent 1 & J Dawg, The Source and Cultivate Creative Sound(CCS) stepped up as the headliners. Top to bottom all of the acts performed very well. The crowd showed love consistently throughout the night for all of the acts. In the end we all had a kick ass time and I think we all are looking forward to the next show as I bring T.O.N.E-Z and Poe Whosaine to Tucson Aug 28th!

Now to the main theme for the post, The Movement. I have seen this past week a lot of love for my promotion method and how it benefits everyone at the show. I had several people come up to me at the show and after and state that they have never seen a crowd stay through every act in a show. Like I said all the acts and their fans stayed at the show and gave each and every act love. In the weeks leading up to the show all the artists were given a chance to make money bringing people to the show, and I hope most did in the end. So I am starting The Movement, the Promoters and Artists working together to make each and every show a success. Instead of each side trying to screw the other so they make more money, everyone works together and everyone makes money. Sure no one person or group is making thousands of dollars on the shows but in this economy every hundred bucks helps. There are too many times I have seen headliners do what Snug Brim did to me, get a deposit(make it non-refundable) and not show to perform. This hurts everyone and it needs to stop. Artists, if you are paid to show up and perform, do it! That is easy. The promoters are paying you, covering hotel costs, and in some cases travel cost and all you have to do is show up and do 45 min to an hour on stage, that is your JOB! Mars told me once he keeps a list of promoters and performers he has worked with. Each one has notes, if he trusts them and a label on if he will work with them in the future. I have started to keep a list as well. I hope as The Movement gets going we can build a network of trustworthy promoters and artists so we all can get ahead in the music business. That is what it is a BUSINESS! In my blog Business or Hobby  I make it clear where I stand.

The next show Wicked Butterfly Entertainment is hosting is DJ Clay's Scratch the Surface Tour with Mars in Albuquerque, NM on July 26th! 2 weeks away so get the word out!

I truly feel as though this movement is needed and wanted in the business. Leave me some comments and let me know where you stand!

MMFWFL,

Juggalotus

What would you do?

  I recently reviewed the newest CD released by Kansas City rapper Irv Da Phenom for Faygoluvers.  The review was favorable and quite different from any other CD I have reviewed up til now.  For those that don't know Irv Da Phenom is a more mainstream rapper who recently went out on the road with Horrorcore legend Mars from California.  He has done a lot of work with many artists such as Tech N9ne, Krizz Kaliko, and Kutt Calhoun.  His album was very well written and lyrically on top of the game.  So I posted the review and sent the links to all the Facebook pages I am a part of and also posted it to Irv's Facebook page and ensured he got the link as well.  Yesterday he posted this on his page:

"Hey! The guys over at Faygoluvers reviewed Irv Da Phenom's new album ‎Los Kangeles.

Leave your thoughts in the comments below.

Do you agree with this review? Do you disagree? With everything leaking early now days & being streamed before release do you even feel album reviews are still important?"


Shortly after it was posted someone responded with this:

"With a site called "FaygoLuvers" and a reviewer named "Juggalotus", I can't take any of this seriously."

I found this response odd for two reasons.  First if an artist I liked took the time to post a review of their album I wouldn't really care what the name of the site or reviewer was I would go check it out and answer the original question asked by the artist "Do you agree with this review? Do you disagree? With everything leaking early now days & being streamed before release do you even feel album reviews are still important?"

Second, why would someone choose to not only ignore the review but then criticize the reviewer without seeing if the guy knew what he was talking about based simply on the name of the site or reviewer?

So I guess this blog is asking all of you who read this blog this question Would you go read the review if a favorite artist of yours posted it?  Would you not go to the link based solely on the site name or reviewer name?  And I would also like to know your thoughts on Irv's original question are album reviews still important?

I personally would go check out any album review posted by a favorite artist of mine because I welcome all opinions and feel they can broaden my perspective on music.  I would never not go to a site based on the name or reviewer name.  and yes I do think album reviews are important not only for the fans but also the musicians.  Musicians can take the positives and the negatives and improve what they do.

So this is a short post but I would really like to get some feedback from you guys!

MMFWFL,

Juggalotus

What exactly is Pay to Play?

Promoters are often shady and take advantage of artists.  I have pointed this out in several blogs on here.  But not all promoters are snakes.  Not all promoters want to screw the artists over.  The one thing all promoters have in common is they invest their own money into booking shows.  They have to pay for artist travel, hotel, riders, venue cost, ticket cost, promotional materials, and much more.  This can be a very expensive venture and a promoter wanting to protect themselves so they do not continue to hemorrhage money hosting shows should be acceptable.  At the same time not every artist is shady.  They all don't want to get on shows for free, be allowed to not sell any tickets or get fans in the door, or have nothing invested in the shows they do.  This blog is here to clear up my thoughts on show promotion and how in the end everyone can make money and be happy.

One of the most popular and shady promoter tactics is called Pay to Play.  I recently started planning a
show here in Tucson and was accused of this tactic.  So this blog is my response to this accusation and hopefully a better understanding of what the term means and why what I do is not pay to play.

  The most simple explanation is this, paying to play is where artists pay the promoter a certain amount of money to secure a spot on the show.  That money gets the artist nothing in return except a 10-20 min slot on the show.  The artist gives the promoter the cash and gets no money in return.  Quite simply they "Pay to Play."  The biggest problem with this is that most promoter that do this do not care about the show.  They only care about the money.  They will book 10-15 openers at $150-200 per opener and essentially make their money off of the artist.  They don't care about getting fans in the door or "Promoting" the show.  To them their money is made off the openers.  This leads to minimal crowds for the headliners and really poor performances.  By doing this these promoters ruin tours and shows for everyone.  All the benefits are on the promoters side.

  Another tactic promoters use is having openers sell tickets to secure the spot.  They will consign the openers a certain number of tickets (25-50 usually) and have them give them the money from the sales the day of the show.  This is a perfect scenario for the artist.  They get the tickets and are expected to sell them to secure the spot.  There are three major problems with this.  First all of the money from those sales is expected to be handed over to the promoter the day of the show.  So the artist once again makes no money.  It becomes a pay to play scenario which brings in fans by the artists hustling ticket instead of the promoter.  These shows have a better turn out because of this but the artist is still without payment.  The second problem is in the fact that the artists don't have to sell the tickets, they simply have to give the promoter the cash the day of the show.  So this still allows for artists with minimal skills or hustle to get onto shows and not have to bring one person in the door.  And finally if the artists do not sell tickets and show up with no money the promoter is really assed out and either has to let them perform or have a huge hole in their lineup.  The benefits work more in the artists benefit here but still leave the financial benefit in the promoters hands.

  The final way of promoting and booking a show is what I prefer.  I ask the artists put a deposit on the tickets I ask them to sell.  In this case I am asking the artist "buy" 25 tickets from me for $6 per ticket.  This means when they pick up the tickets I receive $150.  After they have the tickets they are allowed to sell them for $8 per ticket and keep all of the money from the sales, this is $200.  So by selling the 25 tickets required they make $50 in the end.  After the 25 tickets I sell them tickets at $4 per ticket and they sell them for $8 per ticket making $4 for every ticket they sell.  So lets do some simple math:

Artist buys 25 tickets at $6 per ticket-I (promoter) get $150
They sell them for $8 per ticket- They (Artist) get $200.  A $50 profit in their pocket.
Lets say they sell another 25.  They purchase them from me for $4/ticket- I get another $100.
They sell those for $8/ticket.  They get $200.  Another $100 in profit.

So as you can see in this scenario I as the promoter am able to protect my investment in the show, the artists has a chance to make some good money with their hustle in ticket sales, and the fans are brought to the show because of the sales.  This is the closest thing to a win-win in the business.  The artist does take risk in the ticket deposit but that is mitigated when they sell the tickets.  I as the promoter take a risk someone will "pay to play" and not bring anyone in the door but that is mitigated by the fact the artists have an opportunity to make money.  I don't know anyone in their right mind knowing they can sell 25 tickets that wouldn't take the risk in the deposit to make $50 or more. 

No situation is perfect and all can be abused.  But I can promise any artist I work with an honest and fair deal that can be mutually beneficial.  I can also promise that any artist on my shows that "pay to play" will never be asked to do any of my shows again.  I am willing to give anyone a chance until they burn me.  I want artists that are willing to put in as much effort as me in promoting, getting fans in the door, and putting on the best shows in Tucson. 

We need to start being fair and helping each other make money.  We need to get away from the me first attitude.  The what are you going to do for me while I do nothing for you mentality.  I would love to get your thoughts and opinions so feel free to let me know!

MMFWFL,

Juggalotus