So Wed I made it to the studio again with Dratik the Terrible. We did a track called Love me/Hate me. It is the latest in a long line of hot tracks we have produced in the studio so check it out! While in Lubbock I also met with Mickey Mangles aka Sikone to work out some contract details. Nothing is official and in ink yet but look for a huge post soon about that situation. While there I also met with a new artist named Selfmade. He gave me two CD's to check out and I hope to have some more details about him in the near future.
Now as Wicked Butterfly moves forward there are some huge releases on the horizon. Be on the lookout in the near future for a huge mixtape called the WB Boyz. This will include every artist signed to Wicked Butterfly Entertainment. It will be the worlds first introduction to the company and artists that I am bringing to the world. The Southwest has been slept on and that is all about to change. Then later in the year look for the debut release for Draztik the Terrible called Between heaven and hell. That will be released at the end of the year and will destroy any ideas you might have of the wicked shit. Mickey Mangles is currently working on new material but be on the lookout for a full release of Refried Beans, his most current release which gives a great look at his career both solo and a part of the groups Tierrosos and Sik Made Killas. He is also going out on the Blackout Tour with S.M.K. this summer so check him out as he comes to your city. Selfmade is in the studio as well making new tracks for your earholes. So be on the lookout for all that flavor in the next few months.
Thats the news as only I can give it. I will say if you are an artist or promoter looking to book any of these guys hit me up! They are all available for collabs and any shows you want them at.
MMFWCL,
Juggalotus
Saturday, June 9, 2012
Thursday, June 7, 2012
First ever reader submitted artist for review, Mr?E
On Facebook yesterday I asked for anyone to send me mix tapes, links, etc and I would give an honest review of what I listened to. Well a guy named Benjamin Michaels wrote to me and wanted me to review his homie Mr?E's music off reverb. Mr?E was at last years Gathering and will be performing on the second stage at this years Gathering of the Juggalos.
Here is a brief history of the artist:
Mr?E is an upcoming artist from Kenai/Wasilla Alaska. He has been rapping since he was 14 perfecting his style of various genres of rap,In 2010 he moved to North California to further pursue his rap career, Mr?E now records in Sacramento CA and has gone full boar on his music and remains unsigned for now...
Now on his Reverb account he has 7 tracks to listen to. So here is the list and my thought from a manager/producers standpoint:
1. STFU Feat Dejangles- Overall this track is very well produced and written. I had my reservations due to the fact the track name is identical to one of my favorite Potluck tracks, but it is nothing like that. This track has a very catchy hook, great lyrics, nice beats, and shows he has obvious comfort on the mic. It has a Juggalo family oriented theme while being a self promotion track. All in all a good first track to listen to.
2. Young Wild and Free Feat. Mamalette- This is his remake of the popular Wiz Khalifa track Feat Snoop Dogg. The biggest problem I have with this track is it's lack of originality. He jacks the music and modified the lyrics, but I do not know if he got authorization to do so, and I have issue with that. While it is a nice change of pace from the first track I wish he had created his own track, music, and hook.
3. W4 (Waging War With Words)- The beats in this track are banging. I love the hook. Once again a very self promotion track which is alright as long as that's not all you rap about. Rap needs to say something, speak from the heart. The hook has great energy but the verses themselves could use the same level of energy. They fell flat in comparison.
4. Stop- This track has an awesome piano lead in which sets up verses containing quick but legible rhymes. That is important because some people can rap fast but if the listener cannot understand what is being said the lyric will fall on deaf ears. This is not one of those tracks. Great vibe and levels make this very enjoyable.
5. Spuratic- This is the shortest track on the page and unfortunately falls into the category I just talked about. He is rapping a million miles a minute and I can't understand a single word of it.
6. Doin Great- This track has a very feel good vibe to it. It starts out with an old school backing and music and continues throughout the track. The lyrics are nice and clear and the music totally sells the track. Great song.
7. Get Down- Next to Spuratic this is my least favorite track on the page. Great beat but that is the highlight. The lyrics are lackluster and the verses lack any energy what-so-ever.
All in all Mr?E is worth a listen. I think his style would appeal to a wide variety of listeners. Nice to see an underground rapper who isn't afraid to take chances with tracks like Doin Great. I also like the fact he has a mix of fast paced lyrics and slower stuff as well. It shows he has good diversity and ability. As for recommendation, I would say check him out http://www.reverbnation.com/Enonomuss
MMFWCL,
Juggalotus
Wicked Butterfly Entertainment
http://www.reverbnation.com/enonomuss
Here is a brief history of the artist:
Mr?E is an upcoming artist from Kenai/Wasilla Alaska. He has been rapping since he was 14 perfecting his style of various genres of rap,In 2010 he moved to North California to further pursue his rap career, Mr?E now records in Sacramento CA and has gone full boar on his music and remains unsigned for now...
Now on his Reverb account he has 7 tracks to listen to. So here is the list and my thought from a manager/producers standpoint:
1. STFU Feat Dejangles- Overall this track is very well produced and written. I had my reservations due to the fact the track name is identical to one of my favorite Potluck tracks, but it is nothing like that. This track has a very catchy hook, great lyrics, nice beats, and shows he has obvious comfort on the mic. It has a Juggalo family oriented theme while being a self promotion track. All in all a good first track to listen to.
2. Young Wild and Free Feat. Mamalette- This is his remake of the popular Wiz Khalifa track Feat Snoop Dogg. The biggest problem I have with this track is it's lack of originality. He jacks the music and modified the lyrics, but I do not know if he got authorization to do so, and I have issue with that. While it is a nice change of pace from the first track I wish he had created his own track, music, and hook.
3. W4 (Waging War With Words)- The beats in this track are banging. I love the hook. Once again a very self promotion track which is alright as long as that's not all you rap about. Rap needs to say something, speak from the heart. The hook has great energy but the verses themselves could use the same level of energy. They fell flat in comparison.
4. Stop- This track has an awesome piano lead in which sets up verses containing quick but legible rhymes. That is important because some people can rap fast but if the listener cannot understand what is being said the lyric will fall on deaf ears. This is not one of those tracks. Great vibe and levels make this very enjoyable.
5. Spuratic- This is the shortest track on the page and unfortunately falls into the category I just talked about. He is rapping a million miles a minute and I can't understand a single word of it.
6. Doin Great- This track has a very feel good vibe to it. It starts out with an old school backing and music and continues throughout the track. The lyrics are nice and clear and the music totally sells the track. Great song.
7. Get Down- Next to Spuratic this is my least favorite track on the page. Great beat but that is the highlight. The lyrics are lackluster and the verses lack any energy what-so-ever.
All in all Mr?E is worth a listen. I think his style would appeal to a wide variety of listeners. Nice to see an underground rapper who isn't afraid to take chances with tracks like Doin Great. I also like the fact he has a mix of fast paced lyrics and slower stuff as well. It shows he has good diversity and ability. As for recommendation, I would say check him out http://www.reverbnation.com/Enonomuss
MMFWCL,
Juggalotus
Wicked Butterfly Entertainment
http://www.reverbnation.com/enonomuss
Wednesday, June 6, 2012
Money or Love
I had an interesting conversation with an artist last night and it got me thinking. This guy was willing to drop everything at a moments notice to get on a bus and go anywhere in the US to perform a show. He said it and I really didn't think to much at the time but since we talked it really hit me, this guy must love what he is doing. Which brings me to the point of the blog, Are people in the music business for love or money? I know it is the age old question but I think if people truely love it both can happen.
There are so many rappers/musicians out now that it seems hard to find a "real" artist. By real I mean someone who isn't in it for that one huge hit to make a fortune and then put out crap the rest of their career (Most studio-made rappers coming out now). I mean the guy who is on the grind daily. Willing to work a fulltime job during the day, hit the studio at night, and in between find time to go inside themselves to write music from their heart. Plenty of rappers go to their home studio daily, record meaningless track after track, and release a monthly free mixtape. They spend all their energy focused on the wrong things and never really go inside themselves to write from the heart. One of the major things that draws people to your music is the fact they connect emotionally to what you are saying. Yes I do understand you have to have the "fun" thoughtless track (Who let the dogs out, Whoop there it is, etc) but if all you are making is fluff music you will never gain that huge following you want. If I think back to the great tracks from when I was growing up I immediately think of tracks like F*** the police and Keep ya head up Why do these stand out, well they say something! They have a purpose and meaning. They were written from experience and from the heart. Outside of rap you have groups like Staind who write songs that hit those heartstrings and transport you to the place they were when it was written. Those songs stick with us.
I have had a lot of artists hit me up wanting me to check out their music and help them promote what they are doing. I listen to each and every one and am willing to work with anyone if I feel like they have something good and meaningful to give the music business. If I listen to a track and it sounds fake or not "real" I am not going to help you promote your stuff. I have said several times in my blog here that if you want honesty hit me up. People need to start being honest with themselves and anyone else who asks for their opinion. If your music is not good I am gonna tell you. If there is potential and I can tell you have the drive I am gonna tell you too. Why is this so important? Well if I put my integrity behind a project and it fails, I fail. If I take on an artist who doesn't have the drive or will to succeed, I won't succeed. We are all in the business to make money. Sure I could back every artist that hits me up and promote the hell out of em but in the end I would not be giving it my heart! There it is! Just like those who make music the promoters/managers/bookers all have to have give heart and believe in the projects too. If not everyone involved will fail.
What would you rather have money or love? I say when it comes to music you can have both. Don't sell yourself short. Don't go to the studio if you have nothing to say. Don't be afraid to dig into painful, happy, sad, fun, awesome memories to write your music. If your genre is horrocore and you can't dig the inner psycho out of yourself it comes across as fake. Don't be afraid to write the next track which shows you have a softer side, people appreciate the diversity in music. All you musicians are people too, don't get caught up in living and looking like a superstar. If you are true to yourself you will get everything you want. You will not have to choose between love for music and making money. If you are Real with people you will be successful. No one is ever successful by being fake or screwing other people.
I am outta here!
Juggalotus
There are so many rappers/musicians out now that it seems hard to find a "real" artist. By real I mean someone who isn't in it for that one huge hit to make a fortune and then put out crap the rest of their career (Most studio-made rappers coming out now). I mean the guy who is on the grind daily. Willing to work a fulltime job during the day, hit the studio at night, and in between find time to go inside themselves to write music from their heart. Plenty of rappers go to their home studio daily, record meaningless track after track, and release a monthly free mixtape. They spend all their energy focused on the wrong things and never really go inside themselves to write from the heart. One of the major things that draws people to your music is the fact they connect emotionally to what you are saying. Yes I do understand you have to have the "fun" thoughtless track (Who let the dogs out, Whoop there it is, etc) but if all you are making is fluff music you will never gain that huge following you want. If I think back to the great tracks from when I was growing up I immediately think of tracks like F*** the police and Keep ya head up Why do these stand out, well they say something! They have a purpose and meaning. They were written from experience and from the heart. Outside of rap you have groups like Staind who write songs that hit those heartstrings and transport you to the place they were when it was written. Those songs stick with us.
I have had a lot of artists hit me up wanting me to check out their music and help them promote what they are doing. I listen to each and every one and am willing to work with anyone if I feel like they have something good and meaningful to give the music business. If I listen to a track and it sounds fake or not "real" I am not going to help you promote your stuff. I have said several times in my blog here that if you want honesty hit me up. People need to start being honest with themselves and anyone else who asks for their opinion. If your music is not good I am gonna tell you. If there is potential and I can tell you have the drive I am gonna tell you too. Why is this so important? Well if I put my integrity behind a project and it fails, I fail. If I take on an artist who doesn't have the drive or will to succeed, I won't succeed. We are all in the business to make money. Sure I could back every artist that hits me up and promote the hell out of em but in the end I would not be giving it my heart! There it is! Just like those who make music the promoters/managers/bookers all have to have give heart and believe in the projects too. If not everyone involved will fail.
What would you rather have money or love? I say when it comes to music you can have both. Don't sell yourself short. Don't go to the studio if you have nothing to say. Don't be afraid to dig into painful, happy, sad, fun, awesome memories to write your music. If your genre is horrocore and you can't dig the inner psycho out of yourself it comes across as fake. Don't be afraid to write the next track which shows you have a softer side, people appreciate the diversity in music. All you musicians are people too, don't get caught up in living and looking like a superstar. If you are true to yourself you will get everything you want. You will not have to choose between love for music and making money. If you are Real with people you will be successful. No one is ever successful by being fake or screwing other people.
I am outta here!
Juggalotus
Saturday, June 2, 2012
Success Vs EGO
So I have been thinking about the local rap scene here in New Mexico and West Texas. Here is what I think:
I have met a lot of local rappers recently, some good at what
they do, and some horrible. The one
thing I have noticed though is that every rapper or group is walking around
thinking they are the absolute best thing going, when really they are a small
fish in a huge pond. Maybe it is the
lack of spine these rappers’ so-called “friends” or girlfriends have. No matter what, those close to him never want
to tell the guy he really isn’t that good or “it’s good but I think if you did
this, it might sound better.” Then there
is the fact that every local rap group around here has their own “record label,”
even though a majority of them mix tracks in their basements or garages. Now I am not saying that aspiring to own your
own tracks and put out your own stuff is a bad thing, but if your back room is
where you have recorded for the past eight years and all you do is release free
mix-tapes, then you should probably reconsider what you are doing. You’re not getting anywhere! And a majority of the major names in the
underground will not work with you if you do not have professional studio time
and tracks put in; they want to work with professionals, that’s just the way it
is.
Another problem I see is that most artists want to manage
themselves. That’s not always bad
because it can save you money in the beginning, but if you ever want to get
further in your career, you have to focus on making tracks, not on when and
where your next show is going to be or how you are going to set up a good
collab. I don’t understand how any good artist
can lay down tracks plus find and book shows, set up good contacts/rapport with
other artists, keep track of finances, promote their music, etc., all at the same
time! There is absolutely no reason, if
you are serious about making it in this business, that you should not have a
manager who knows about the business side of your music career. He or she should have your back with
everything except your actual job: writing and performing the music! It’s sad to see so many aspiring artists out
there, trying to do it all and succeeding at nothing.
Of course, there are a ton of crappy promoters and bookers
out here as well. In a previous post, I
have talked about the Pay-to-Play mentality that seems to be so prevalent in my
part of the country, the southwest. Let
me say once again that NO ARTIST SHOULD HAVE TO PAY TO OPEN A LOCAL SHOW! Sure,
an exception would be a major act (I’m talking someone like Snoop, Jay-Z,
etc). However, for an underground act,
someone that isn’t big and famous nationwide, you should not be willing to pay
for a slot on the show. You are helping
the booker/promoter fill their show! If
they want you to sell five or ten tickets to the show, okay cool. But remember that most good promoters will
give you a cut of your personal ticket sales; that way you are getting paid to
perform instead of paying the promoter’s bills.
Also, be careful of all the promoters/bookers down here that book a lot
of shows and then end up canceling almost all of them. You need to surround yourself with people you
can trust, meaning people who want to help you succeed. If you perform with the same six acts every
other week and there are no new faces in the crowd, you need to rethink working
with those promoters/bookers, because you are not succeeding. Those people should be booking you with other
acts that attract new people to the show.
Because some things I do know as a booker/promoter: if the audience
never grows, you are soon out of business; if you screw over bigger labels in
your genre, you will not get bigger acts coming in; and if you do not get and
maintain contacts, you shouldn’t be in the business, because it’s who you know,
not just how hard you work.
You guys might be asking why I am going off a bit; well, the
past week has opened my eyes from a manager, booker, promoter, and business
standpoint. There are so many people in
this business who have no idea what they are doing. Now I am no expert, but I do have a good head
for business and how things should be done.
I have maintained positive contacts and expanded my business 10 times
over, just this year. And I just started
doing this full time in January.
As a manager, I take pride in making sure my artists make
great tracks. Sometimes I have to tell
them the track sucks and they need to rework it. They understand that I am not doing it to kill
their studio budget; I am doing it because if they make great music and become
a huge star, I am going to get paid. As
much as they want to make it in the business, I want them to succeed. If I put time and effort into a project and
it fails, I am not going to get any money and ultimately I want to make this
business my career! I also believe in
honesty. Most people don’t believe you
can be honest and succeed in this business. I disagree.
The only thing that can make you successful is being honest. If you are not, then most people will work
with you only once or twice before they get tired of getting screwed over. Also, if you never hear any negative, you
will have an inflated idea of your own worth and abilities. Someone should be in your crew that keeps you
grounded.
For all of you artists, please please please understand that,
unless you are selling out arenas, you still have to be on the grind! Just because you are headlining in one city
does not mean you are known at all in cities within driving distance of you!! If you have only performed one or two shows,
you are not ready for stage theatrics and world tours. Respect and notoriety in this business are
earned; nothing is ever given to you.
Yes, I realize you pack 80-100 people at your shows in your city; most
of them are your homies and friends, and once you get 100 miles from home, you
are still unknown. Like I said earlier,
if you have the same faces in the crowd, you are doing it wrong. Don’t let local success give you a nationwide
ego.
Now don't get me wrong I have met some great people down here who are doing all the right things. Those are the people I would love to work with in the future, you know who you are ;) If anything in this post offended you then you would be the ones I don't want to work with. It's all underground family love!
That’s
it! I am done.
MMFWCL,
Juggalotus
Monday, May 28, 2012
2012 Hatchet Attacks in Farmington, NM
So this weekend was the 4th annual Hatchet Attacks show. It came to Farmington, NM this year and I was lucky enough to not only be in attendance with my son for his first show but was able to take part in the setup of the show itself. So for those that follow my blog here is everything that I saw happen at the show!
We left our home in Clovis, NM and started our 8 hour drive across the state to Farmington, NM on Thursday. We got in about 2 am and along the way we found plenty of Family headed to the show as well. Friday morning we got up and went to the venue about 12 to start working with the road crew setting up everything in the venue. When we got there the venue was completely empty. Throughout the day we move a ton of equipment including the stage, sound and light equipment, wrestling ring, Faygo, etc. I worked about 13 hours that day and at the end of the day I was completely exhausted. But the stage was setup, the lighting was done, and most of the cables were in place. The next day we arrived at about 10 am and went to work putting the finishing touches on everything. Throughout the day we encountered many of our favs from Psychopathic including Billy and DJ Clay. I can say from that experience that DJ Clay is a cool dude. He was down to earth and didn’t avoid talking to any of us. We had a little break and then 3 pm rolled around and the doors officially opened. There ended up being about 6800 Juggalos and Juggalettes in the crowd so the show was the largest I have ever been a part of.
At 4 pm JCW took center stage. There were 5 matches in total. Here is how it broke down:
- Ryda Red, Ryda Blue and Zack Gowen defeated The Freak Squad (Dom, GQ & Joey) via pin- The Weedman defeated Officer Colt Cabana via pin
- The Necro Butcher defeated Shawn Daivari via pin
- J.W.O. (Kevin Nash & Sean Waltman w/Scott Hall) defeated The Headbangers (Mosh & Thrasher) via pin
- 2 Tuff Tony defeated Kongo Kong via pin to become the new JCW Heavyweight Champion
All of the matches were hype and they put on a great show. Congrats to 2 Tuff Tony for being the new JCW Champion!
After that the ring was removed and the show was about to begin. DJ Clay was on the tables and hosting the show. First up was Cold 187. This was my first time to see him or hear his flavor of music. He put it down for West Coast Gansta rap. Since I grew up listening to that genre of the music I had a ton of respect for that guy. He had a section of his show which was a memorial to all of the fallen West Coast rappers in the game. He started with a cover of Boyz in the Hood by Eazy-E and ended with a combination of Tupac and Nate Dogg. It was completely West Coast and I absolutely loved it. After his set DJ Clay gave him a shout out and asked the Juggalos to give him another round of applause to which they booed him, which I thought was pretty shitty considering it was something new and it seemed like most really didn’t give it a chance.
Next up was Anybody Killa. His set was hella long and covered everything from his catalog of music. He killed it as usual and left Juggalos seething for more. Then came Blaze Ya dead Homie. He brought that Detroit Gansta shit to New Mexico like never before. He did all the favorites from Crypt Keeper to Dub Sack. Toward the end of his set he did a track I had never heard before and can only assume is a new track from him. It was good and was all about what he would do for a forty. Then it was time for one of the favorites, Twiztid! When they came out Madrox was sporting a blond Mohawk and Mono had the many tiny braids. This should come as no surprise to anyone but they killed it! They performed most of the favorites we have all come to know and love. They didn’t do any new material but the energy they had on stage was unmatched all night.
Finally it was time for the clowns, ICP! The stage was set and the family was ready to explode. They hit the stage with Mike E. Clark and blew the roof off of the venue. Faygo was flying and the dirt floor slowly became a nasty mix of dirt, cow shit, and faygo. They performed everything from Assassins to the dating game. Then we all got a taste of the forthcoming Mighty Death Pop. The track was really hype and I am looking forward to the album which is going to be released on 8-14-2012 at the Gathering of the Juggalos. In the end Faygo Armageddon hit Farmington and my son was finally indoctrinated into the family. We were front and center and I can say we both left totally soaked and sticky, and of course I wouldn’t want it any other way.
All in all the trip was worth the time and effort. I got to take part in a ton of stuff most of us never get to see. If you missed it this year I would suggest you don’t next year. It was one of the best shows I have been to. DJ Clay gets my respect for being the host and DJ for the entire 8 hours of music and mayhem. To all of the fam that was in attendance it should stand as a testament to the family love. I saw a lot of old school Juggalos there and the vibe made me remember why I love being a part of this family. There were only 22 arrests mostly for being drunk and disorderly and fighting. I saw juggalos picking up fallen los in the pit and making sure no one was injured there.
This blog is known as Juggalo support because we as a community need to support one another. In a previous post I covered why I love being a Juggalo. In some downer news one of our own was on his way home and got jumped by 14 young “juggalos”. I think this kind of crap needs to stop. The movement is about family love. The longer I have been a part of it the more I see young Juggalos acting stupid. Now not all of the new generation is like that but there has been a large number who have given new los and lettes a real bad name. Let’s stop family in fighting and start showing the love again. And for any young new gen Juggalos that were at the show remember that is what it is all about.
MMFWCL,
Juggalotus
Labels:
2012,
2012 Hatchet Attacks,
Blaze ya Dead Homie,
Concert Reviews,
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Gathering,
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juggalettes,
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Psychpathic Records,
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Location:
Farmington, NM, USA
Sunday, May 20, 2012
Southwest Rap and Hip Hop
What's up people! It is Sunday and that means it is time for a new post on this page!
Before coming to New Mexico my exposure to rap and hip hop in the southwest was limited. But since coming down here I have found a hidden gem of artists that are doing things totally fresh and new to the music world. With the huge influence of latin flavor down here I have found a huge community of spanish rappers. You can definitely feel the West Coast influence but this area is also heavily influenced by the south. So you have a unique sound coming out of this part of the country. I don't think many of you that are into Rap and hip hop could name one artist doing their thing down here and that is ok. With my new company Wicked Butterfly Entertainment I hope to change the face of Hip Hop and Rap forever! We are about to explode on the scene in a way not done since the invsion of the dirty south. As many of you know I just put together my first ever rap and hip hop show featuring T.O.N.E-Z and Mars. Those who were lucky enough to come out to the show were treated to a variety of what we have to offer from this region of the world. T.O.N.E-Z brought that East Coast hip hop, Mars brought the West Coast flavor, Draztik brought a new brand of horrorcore, Mickey Mangles and his groups Tierrosos and S.M.K. hit us with Mexican rap, Worlds Kollide Records and Black Project Productions brought the Amarillo flavor, and the S.K.S.CC crew brought a mix of dirty south and SW. It was a good cross section of the influences from all over the country.
As we move forward I can tell you that there is no way anyone will know what to expect from us. We have a huge mixtape coming out soon that will expose the country to all of these artists and what they are bringing to the table. I have never known any artists that are willing to work harder or hustle greater than these people down here. That is a major reason I feel like they deserve the attention. So if you haven't yet heard from anyone down here hit up youtube! Search for these artists and let me know your thoughts:
Draztik the Terrible
S.M.K.-Sik Made Killas
Tierrosos
806 Outlaw and Narkotixx
Worlds Kollide Records
Tripola Boyz
Dmize
Born Wicked
Mickey Mangles
S.K.S.CC
So check em out so you know what is coming. Southwest rap and hip hop is about to blow everything you know out of the water!
Much love,
Juggalotus
Before coming to New Mexico my exposure to rap and hip hop in the southwest was limited. But since coming down here I have found a hidden gem of artists that are doing things totally fresh and new to the music world. With the huge influence of latin flavor down here I have found a huge community of spanish rappers. You can definitely feel the West Coast influence but this area is also heavily influenced by the south. So you have a unique sound coming out of this part of the country. I don't think many of you that are into Rap and hip hop could name one artist doing their thing down here and that is ok. With my new company Wicked Butterfly Entertainment I hope to change the face of Hip Hop and Rap forever! We are about to explode on the scene in a way not done since the invsion of the dirty south. As many of you know I just put together my first ever rap and hip hop show featuring T.O.N.E-Z and Mars. Those who were lucky enough to come out to the show were treated to a variety of what we have to offer from this region of the world. T.O.N.E-Z brought that East Coast hip hop, Mars brought the West Coast flavor, Draztik brought a new brand of horrorcore, Mickey Mangles and his groups Tierrosos and S.M.K. hit us with Mexican rap, Worlds Kollide Records and Black Project Productions brought the Amarillo flavor, and the S.K.S.CC crew brought a mix of dirty south and SW. It was a good cross section of the influences from all over the country.
As we move forward I can tell you that there is no way anyone will know what to expect from us. We have a huge mixtape coming out soon that will expose the country to all of these artists and what they are bringing to the table. I have never known any artists that are willing to work harder or hustle greater than these people down here. That is a major reason I feel like they deserve the attention. So if you haven't yet heard from anyone down here hit up youtube! Search for these artists and let me know your thoughts:
Draztik the Terrible
S.M.K.-Sik Made Killas
Tierrosos
806 Outlaw and Narkotixx
Worlds Kollide Records
Tripola Boyz
Dmize
Born Wicked
Mickey Mangles
S.K.S.CC
So check em out so you know what is coming. Southwest rap and hip hop is about to blow everything you know out of the water!
Much love,
Juggalotus
Sunday, May 13, 2012
Wicked Butterfly Entertainment
Ok so the music blog has taken a very strange turn this year. In January my intention was to get interviews with artists and make my blog the best place for information for my audience. Since then it has morphed into a monster! I have a friend Draztik who wanted me to go to the studio with him and check out what he was doing. So I went. We made a song that blew us away. Next thing I know he wants me to be his manager. I was cool with that even though I had never considered doing anything like that. So we started making music weekly at the studio. Then he hits me up to possibly do a Juggalo Jump off show with DJ Clay. I was like ok and I started looking for a second headliner. That lead me to meet T.O.N.E-Z. He was a cool dude who was down with coming to Texas for the first time. Well Clay didn't work out and I had to call T.O.N.E-Z and break the news. He was cool and said if I still wanted to do a show he was down. This led me to jump feet first into the music business. So I started planning the show, once again not having any experience what so ever in this. It was definitely a learning process and in the end I lost my butt financially. But the good news is I learned a ton and made a lot of connections in the business. So here we are May 13, 2012 and I am now running a blog, planning a CD release and working the studio for the album, managing a schedule for Draztik, Working full time, and now starting a promotions/booking/management company for artists in West Texas and New Mexico.
So I am here to officially announce that my new company Wicked Butterfly Entertainment is official. As of today my roster includes only Draztik the Terrible. But due to the show and connections I might possibly be adding 5 more groups to the mix. I can say officially that the Tripola Boyz from Lubbock are the newest members of the Wicked Butterfly family. We hope to have the contract worked out soon and be able to add them to the roster. Thanks to Mickey Mangles I have a new company logo:
Look him up for Graphics, Beats, and performances!
I am always interested in musicians or rappers to add to the roster so if you are interested hit me up at wickedbutterflyentertainment@gmail.com. I am also promoting and booking any shows in Lubbock, Amarillo, or Albuquerque so if you have a show you want here let me know!
So there you have it the back story of the birth of a new music company!!
I hope for great things in the future and thank all of you for reading my blog and sticking with me through this year!
Juggalotus
So I am here to officially announce that my new company Wicked Butterfly Entertainment is official. As of today my roster includes only Draztik the Terrible. But due to the show and connections I might possibly be adding 5 more groups to the mix. I can say officially that the Tripola Boyz from Lubbock are the newest members of the Wicked Butterfly family. We hope to have the contract worked out soon and be able to add them to the roster. Thanks to Mickey Mangles I have a new company logo:
Look him up for Graphics, Beats, and performances!
I am always interested in musicians or rappers to add to the roster so if you are interested hit me up at wickedbutterflyentertainment@gmail.com. I am also promoting and booking any shows in Lubbock, Amarillo, or Albuquerque so if you have a show you want here let me know!
So there you have it the back story of the birth of a new music company!!
I hope for great things in the future and thank all of you for reading my blog and sticking with me through this year!
Juggalotus
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