Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Thursday, November 2, 2023

Closing out 2023 and setting up 2024

 Holy shit it has been 5 years since I posted to this blog!  This is all changing as we close out 2023 and move into 2024.  So what does this mean for the blog?  Well I plan to cover as many concert events as I can this next year, attend the 2024 Gathering of the Juggalos, review as many albums as I can for Faygoluvers.net and most of all get back to the energy and love of the Juggalo community!  This post is short but I will be working hard the next week to get a review of some new music posted!  If you want me to review your album hit me up at juggalotus0069@gmail.com


Peace,


Juggalotus

Sunday, August 31, 2014

My 20 min with interview series

For those of you who might not know, I do an interview series for Faygoluvers.net called 20 Min with.....  In this series I interview various artists for about 20 min.  Now the difference in my interviews is that I take a lot of pride in asking questions that other interviewers may not.  For instance I interviewed Potluck a while ago.  At one point I began asking about their song "My Dad" and in the interview I ask 1 Ton about his father who just passed and how much of an influence their fathers were on their career.  The question seemed to catch them off guard a little bit.  But that is what I do.  I actually research my interview subject and try my best not to ask the same thing they get asked all the time.

I also review albums on the website.  All of my reviews are 100% honesty as far as my opinion.  Now I have had artists ask me to remove my review once it was posted because they were not happy with my thoughts.  I will never remove a review once it is posted.  I also will never give a glowing review if the album does not deserve it.  I take pride in giving constructive criticism.  I also take pride in being genuine.  I don't get paid to do reviews or interviews.  I do it because I love music and the genre of Horror Core.  I would be lying if I said I didn't hope at some point in the future I could get paid for those things but for now it isn't happening.

If you want to check out my interview series head over to https://www.youtube.com/user/FaygoluversHeaven/videos and check out my latest and greatest with Mr. Grey, Sozay, Ganxsta NIP, Zug Izland, Cryptic Wisdom, Slaine, and many more.

To read my album reviews head over to http://www.faygoluvers.net/v5/category/reviews/albumreviews/ and look for reviews posted by Juggalotus0069.

I hope to keep this blog more current as I have been hella busy and slacking.  If you dig my blog here and want to help spread the word I would seriously appreciate it!  Please leave me some comments and let me know you checked it out and where you are from.  I am really interested in where my readers are at!

MMFWFL,

Juggalotus

Sunday, November 24, 2013

Why local Hip Hop is failing

Since I have moved to Tucson I have noticed the same thing I have noticed in any city I have lived in for the past ten years, Local Hip Hop artists refuse to support other artists in their cities.  There seems to be this accepted understanding that if you or your friends do not like another group of people you have to do everything you can to stop them from making moves.  I understand that the complex mix of envy, jealousy, fear, anger, and loyalty drives this idea.  The local hip hop scene is dying a slow death because of this philosophy. 

  The solution to this problem is quite simple, whether you like the music they make or not you should have respect for the fact they are trying to make it just like you.  The other day on Facebook the guy who runs the Tucson Rap page posted a cypher which had 4 white guys on it as part of his Southwest Cypher Series.  Almost immediately another rapper posted this:

 "Y'all need to stop showing these whack white boy rappers and focus on artists. The only true artists in tucson are EMG, EZ Goin, the Kennedy's and efresh. Stop showing this stupid typical tucson rap because that's why no one gives tucson love."

This is exactly what I am talking about.  This guy has a few people he supports and because of race has decided the guy on that cypher are whack.  It is a fact one of the best rappers in the world is Eminem and he is white.  I think it is time we move beyond the idea that a persons skin color makes or breaks their ability in Rap and Hip Hop.  Why does it matter if the guys on the cypher are white?  It doesn't.  Stacc Styles is one of the best chopping rappers in this city.  Crookyd is hands down one of the best battle rappers here.  They have been asked to perform at shows and have been the only Tucson rappers on the bill.  This isn't by chance it is because they work constantly on their craft.  They don't make cheap ass music or music videos.  The hustle hard, make quality music, and always have their eyes on what is important, their career and what they want to accomplish.  That is how you succeed.  They also show love to anyone trying to make it and actually doing the work needed to make it.  Rap isn't a hobby, I have said it before, it is a business.  In order to succeed you need to do anything and everything to make it.  Deprive yourself of sleep and other things to make your dreams happen.

There have been times I have heard people say "I would love to see the headliner but I don't support the locals on the show so I am not going."  How does this make any sense?  You should be buying tickets to shows for the headliner not the locals.  Who knows if people gave someone they heard was whack a chance they might actually dig what the guy(s) do.  If local scenes continue to get shows of 25-30 people and by the time the headliner is out you can count the fans on your hands because the fans only came to support their friends then rappers and other artists who can give you exposure will not come to town.  Then nobody wins.  Small or big a national tour can get you exposure and fans nationwide.  If any artists refuses to see that then it is time to quit and get a 9-5 job.

There is a movement by some on social media to "support locals" and that in words is great.  But the same people who post such things do not back up that idea with actions.  What they in turn are saying is "Come support my friends because I think they deserve it, but I will not return the favor."  As local shows refuse to support one another the entire movement fails.  Not until we can all band together and support people because of their hustle, abilities, and drive and stop hate because of envy, jealousy, fear, anger, and blind loyalty will the hip hop movement in any city begin to see success and love from anyone outside of that city. 

MMFWFL,

Juggalotus

Sunday, August 11, 2013

2013 Gathering of the Juggalos thoughts

So the Gathering of the Juggalos went back “Underground” this year.  The event has been going on since Wed Aug 7 as people started lining up to get into the grounds.  Well on Monday Aug 5 there were several people who overdosed and had to be taken to the hospital; mind you this was before anyone was allowed to be there except the crew setting everything up!  Having gone to the event last year I saw more drugs available than anywhere else I have ever been.  This should have been a sign of things to come.  The apparent drug causing the problems is a designer drug called 25I.  The street name for the drug is N-Bomb, Smiles, and 25I.  It is similar to LSD in its effect on people. 
News breaks Friday that someone was found dead in their tent of apparent overdose.  The cause was initially reported as 25I but has also been reported as a Heroin overdose.  No matter what the cause this is absolutely horrible news.  Why you ask?  Well it is simple, the public at large is finding any way possible to label us delinquents and shut the Gathering down.  Drugs have expanded way out of control and last year I saw people who were obviously “professional” dealers who were only there to make money off dumb ass Juggalos who did not even remember their experience at the Gathering because they were wasted the entire time.  Drugs are out of control at this event.  Why is this important to me?  I GIVE A CRAP that’s why!  People need to go out there and enjoy themselves but this is getting ridiculous.  We have now lost Family because of this problem.  I suggest we as Family get this under control.  This is our Mecca (as Violent J said today). 
Now the other huge news everyone was waiting for was promised by Violent J to be “The biggest news we have ever released in our career!” and we were promised this life changing news at the seminar today.  Let’s briefly go over what they released at the seminar:
·         Juggalos at the Gathering are the most elite Juggalos on the planet!
·         ICP considers the Gathering the mecca of Juggalo-ism
  • He gives us the epitome of news in the Juggalo world
  • Psychopathic is resuming the Mighty Death Pop tour right after J’s knee surgery
  • Tour will include Denver, Salt Lake City, Albuquerque, Florida, Texas; Last show of the tour will be Hallowicked
  • November dates for the tour in Australia
  • ICP theater has 8 episodes (3 of which have aired so far).  If ratings are good, they will get 25 more episodes for season 2!
  • They are starting the 3rd Joker’s card of the new deck after Hallowicked!
  • Planning of the 3rd card will be more precise
  • It will be available on CD!  The rumor that it would only be on digital is “straight bullshit”
  • He said the difference between a physical copy of the album and a digital copy is like the difference between porn and a real neden!
  • They are bringing back Psychopathic Radio after the Gathering!
  • Shaggy is off probation (finally!) so they will be touring in Canada!
  • On Juggalo day, they will be performing the Great Milenko in its entirety! It will be available on iPPV, and may not be in Detroit!  More Joker’s cards shows are in the works!
  • Violent JJ made 3 beats (beatboxing) and they will release it on the Internet
  • 6th Joker’s card box set is ready to go!
  • Violent J confirmed that Blaze ya Dead Homie did officially leave
  • Psychopathic isn’t trying to replace anyone who left, just trying to leave a legacy of great artists!
  • They want to do more concept music like Wizard of the Hood or solo albums like Shaggy’s Fuck the Fuck Off
  • They said that Twiztid told Psychopathic they were leaving via text message
  • They then announced that Axe Murder Boyz and Boondox  are officially back on the label!
  • Everyone was handed a ticket before the seminar started, without knowing what it was about.  They then started talking about the  Chronicles of the Dark Carnival series that was filmed for SyFy years ago.
  • They said that the end product they got back had a “little twinge of suck”.  Jumpsteady said it was SO BAD that it came full circle and ended up being entertaining again!
  • They said it would ONLY be available for Juggalos who were in attendance at this year’s Gathering!
Now with that in mind what could possibly have been the huge earth shattering news? 
ICP is touring Australia? 
AMB and Boondox have resigned with Psychopathic?
Blaze leaving the label?
Are any of those the Biggest news ever?   NO.  So I take this list of news as just that, news.  ICP once again pulled the wool over Juggalos eyes to sell tickets and get people in the door.  As I have discussed before ICP is all about the bottom line.  They don’t care about the Family any more.  They knew the lineup this year, while great underground acts were on the set list, was not enough to sell enough tickets.  So J tells us all they are going to drop devastating, huge, Juggalo world changing news.  And we get nothing.  Then we are told there is a mystery seminar after ICP that I think everyone including me thought would be Twiztid.  Nope Twiztid and Blaze bounced and the seminar became AMB and Boondox.  Don’t get me wrong Boondox dropping some good news that I am pumped about but really why not give Twiztid a seminar? 
How many times are we going to see the fan base abused by this label and do nothing about it.  When Twiztid left I didn’t want to “take sides” and I still support the music Psychopathic, Twiztid and Blaze put out there.  I think J and Shaggy need to seriously look at what has happened.  Alex left and it has been a steady decline into money and ego. 
People will read this and some will agree while others disagree.  I will take heat for saying these things but I know people out there who view it the same way (testdummy22 and I see eye to eye on a lot) and that is ok.  I have opinions and so does everyone else.  The one thing about me that never changes (whether it is CD reviews, Event reviews, my blog and opinions, or anything else I do) is that I am honest and will say what I believe to be the truth. 
I still rep the hatchet and will always support the underground movement.  This years Gathering has shown me that the Mecca for the Family is on life support.  Attendance was down, we had a death, and we saw a glimmer of hope that things were ok with the ending of the Lotus set (which quickly went away when J told the family Twiztid left via text. That was a low blow if you ask me), and the police getting a “financial” advance from the “organizers” (Psychopathic) which let them buy new equipment for the force.
I love my Family and hate to feel like this whole movement has been shifted in the wrong direction.  I hope things will change and we will see Juggalos return and rebuild what has been lost.  I hate to say I feel that movement is now with Twiztid but that is how I see it. 
Let’s hear your opinions people, I welcome everyone’s thoughts!

MMFWFL,
Juggalotus

Saturday, July 13, 2013

The Movement

A ton has happened in the last week and I have learned a great deal.

First thing I wanted to formally address was the first show Wicked Butterfly Entertainment booked and promoted here in Tucson, the Snug Brim Arroggant Tour. After James Barone royally screwed that tour booking up Snug Brim trusted a long time friend to rebook the tour. For those who don't know James Barone was taking deposits from promoters and artists and not passing the cash onto Snug Brim. Anyway the tour got re-booked and I sent Snug Brim the first half of his appearance fee, $225.00. Not a lot but it was what had been negotiated. After he got that money I could not reach him for any kind of flight info, arrival times, or anything. Bottom line is Snug Brim no-showed the appearance and has yet to return any of that deposit money back to me. No I normally don't air dirty laundry on here but I think if a thief is discovered they should be called out! Despite that fact the show went awesome. I heard many comments that it was the best local show they have had here in Tucson in many years. As many of you know from previous blogs I promote so that the artists, venues, and myself all make money in the end. If you want to know how I do it go back and read my last few blogs. The night had a variety of local Tucson Hip Hop artists. They included first time performances by From Tha Ash and Chi!pz, Full Kontakt Entertainment, Tha Silent 1 & J Dawg, The Source and Cultivate Creative Sound(CCS) stepped up as the headliners. Top to bottom all of the acts performed very well. The crowd showed love consistently throughout the night for all of the acts. In the end we all had a kick ass time and I think we all are looking forward to the next show as I bring T.O.N.E-Z and Poe Whosaine to Tucson Aug 28th!

Now to the main theme for the post, The Movement. I have seen this past week a lot of love for my promotion method and how it benefits everyone at the show. I had several people come up to me at the show and after and state that they have never seen a crowd stay through every act in a show. Like I said all the acts and their fans stayed at the show and gave each and every act love. In the weeks leading up to the show all the artists were given a chance to make money bringing people to the show, and I hope most did in the end. So I am starting The Movement, the Promoters and Artists working together to make each and every show a success. Instead of each side trying to screw the other so they make more money, everyone works together and everyone makes money. Sure no one person or group is making thousands of dollars on the shows but in this economy every hundred bucks helps. There are too many times I have seen headliners do what Snug Brim did to me, get a deposit(make it non-refundable) and not show to perform. This hurts everyone and it needs to stop. Artists, if you are paid to show up and perform, do it! That is easy. The promoters are paying you, covering hotel costs, and in some cases travel cost and all you have to do is show up and do 45 min to an hour on stage, that is your JOB! Mars told me once he keeps a list of promoters and performers he has worked with. Each one has notes, if he trusts them and a label on if he will work with them in the future. I have started to keep a list as well. I hope as The Movement gets going we can build a network of trustworthy promoters and artists so we all can get ahead in the music business. That is what it is a BUSINESS! In my blog Business or Hobby  I make it clear where I stand.

The next show Wicked Butterfly Entertainment is hosting is DJ Clay's Scratch the Surface Tour with Mars in Albuquerque, NM on July 26th! 2 weeks away so get the word out!

I truly feel as though this movement is needed and wanted in the business. Leave me some comments and let me know where you stand!

MMFWFL,

Juggalotus

Thursday, July 4, 2013

What would you do?

  I recently reviewed the newest CD released by Kansas City rapper Irv Da Phenom for Faygoluvers.  The review was favorable and quite different from any other CD I have reviewed up til now.  For those that don't know Irv Da Phenom is a more mainstream rapper who recently went out on the road with Horrorcore legend Mars from California.  He has done a lot of work with many artists such as Tech N9ne, Krizz Kaliko, and Kutt Calhoun.  His album was very well written and lyrically on top of the game.  So I posted the review and sent the links to all the Facebook pages I am a part of and also posted it to Irv's Facebook page and ensured he got the link as well.  Yesterday he posted this on his page:

"Hey! The guys over at Faygoluvers reviewed Irv Da Phenom's new album ‎Los Kangeles.

Leave your thoughts in the comments below.

Do you agree with this review? Do you disagree? With everything leaking early now days & being streamed before release do you even feel album reviews are still important?"


Shortly after it was posted someone responded with this:


"With a site called "FaygoLuvers" and a reviewer named "Juggalotus", I can't take any of this seriously."

I found this response odd for two reasons.  First if an artist I liked took the time to post a review of their album I wouldn't really care what the name of the site or reviewer was I would go check it out and answer the original question asked by the artist "Do you agree with this review? Do you disagree? With everything leaking early now days & being streamed before release do you even feel album reviews are still important?"

Second, why would someone choose to not only ignore the review but then criticize the reviewer without seeing if the guy knew what he was talking about based simply on the name of the site or reviewer?

So I guess this blog is asking all of you who read this blog this question Would you go read the review if a favorite artist of yours posted it?  Would you not go to the link based solely on the site name or reviewer name?  And I would also like to know your thoughts on Irv's original question are album reviews still important?

I personally would go check out any album review posted by a favorite artist of mine because I welcome all opinions and feel they can broaden my perspective on music.  I would never not go to a site based on the name or reviewer name.  and yes I do think album reviews are important not only for the fans but also the musicians.  Musicians can take the positives and the negatives and improve what they do.

So this is a short post but I would really like to get some feedback from you guys!

MMFWFL,

Juggalotus

Sunday, April 28, 2013

The more you know

  Wow has it been a month already?!  I know I have been super busy but heck I have had a ton to blog about, especially with the events happening in the underground.  Here is a quick list of topics I am going to give some thoughts on!

1. KMK vs Subnoize
2. The Gathering of the Juggalos 2013
3. Breaking the fourth wall and getting to know artists/rappers personally

So lets get at it!

A lot has been said back and forth between KMK and Zinger of Subnoize Records.  My take is this, what happens between them is really not important to fans of the label or music.  The only thing affected by all of this is who is involved in business at Subnoize and what label pays KMK.  The music is still going to be released by both entities.  Various Subnoize artists might jump ship if Daddy X does not manage to get the label and forms his own, then again they might not.  This is yet another camp diving into chaos.  A few years ago the top labels in the underground were Psychopathic and Subnoize.  Now they are both in a free fall due to internal conflict and Strange has quietly taken the top spot.  I know there are those of you who would disagree but I guess it is all a matter of opinion and since this is my blog that is my opinion!  I will continue to buy KMK albums, review KMK albums, and support their music.  I will also continue to support Subnoize and any artists associated there.  I have friends on both sides of this argument and respect everyone involved for their contributions to our music genre as a whole.  If you were a KMK fan before this stuff, you should be a fan after, period.

This years Gathering of the Juggalos has been dubbed "Rise of the Underground". I have no issue with Psychopathic giving love and some spotlight to Underground artists as long as their intention is just that.  I think Kung Fu Vampire deserves to have a slot on the main stage along with several other big names in the Underground.  But my fear is that the shift in focus is due to Psychopathic saving money either but cutting corners and not trying to get big name artists (Ice Cube, Ice T, etc) or no big name artists being willing to show some love.  As we have seen in the past few years big name artists get booked and just fail to show.  I hope it is just that, a fear of mine.  I do think Psychopathic should spotlight more Underground artists but I do feel there is a place for a few big names on the bill too.  I hope to be able to attend the Gathering again this year and hope it is as fresh as it was last year.  I would also like to see more Family love.  Last year the golf carts were rarely seen and when they were the main guys (ICP, Twiztid) were not on em.  I saw ABK, Chop, and a few other but the big guys stayed hidden away.  Maybe I just missed em I am not sure.  So that is my take on the Gathering this year.

Now with both of those topics out there let me say the past year and a half has been very eye opening to me.  I have had the oppotunity to do some great interviews for Faygoluvers and meet a lot of good guy and bad guys in the business.  That is when I discovered that breaking that fourth wall is a blessing and a curse.  Now I am not going to name people who I love as artists but really have grown to dislike as people but I will give you all a glimpse at artists who say they support the family and actually are good people on and off stage.  The first guy I can say is a down to Earth dude is Bukshot.  I contacted him about a collab for my guys in Black Project and he was nothing but professional.  We talk often and I consider him a friend in business and life.  He has nothing but respect from me.  Another is Kung Fu Vampire.  I have met and talked with him quite a bit and he is always down to chop it up.  Respect is definitely earned by me as well.  Potluck, cool dudes who always have love for the Juggalos and have earned my respect on many levels.  Liquid Assassin, great guy and I hope to work with him in the future.  Mr. Grey, met him at the KFV show in Mesa, cool dude and definitely talented.  Mars, some people hate him and some people like him, my interactions with him have been all on the positive.  He sat down for my very first interview and has done several collabs with my guys.  I consider all of these guys my friends as they have always held themselves to a higher standard and make me appreciate this business.  Now on the other side there are guys I have met and they all seem dope at first but as I have gotten to know them and how they do business I realize they are self centered, egotistical jerks who will only be cool with you as long as you can do something for them.  Unfortunately there are a ton of them in the business and they make me question being involved at all.  Luckily the guys who I mention first have made it all worth while. 

As a fan I had respect for many artists and as a reported/reviewer/interviewer I have lost respect for some.  I guess that is the real pitfall of being involved beyond the fan level.  Do I regret it, hell no!  I love what I do.  I love listening and reviewing everything submitted to me by artists and Scottie D.  I have nothing but love and respect for all artists out there grinding on a daily.  I hope to continue to provide this blog, Faygoluvers, and other media outlets positive vibes on the Family and movement.  Most of all I appreciate everyone who comes here and checks out my brain droppings and then goes over the Faygoluvers and hits up my reviews.  I have Much Family Love for life.

MMFWFL,

Juggalotus

Thursday, February 21, 2013

Friends are friends and Business is business

  Over the past few days I have had a few conversations that bring this point to light.  The first was with one of my friends.  We had a disagreement about how some business should be handled.  While discussing business we both got annoyed and aggrivated with the other person.  This led to us not discussing the problem but getting into stuff that had little to do with the actual issues.  After some time I made the point that he is my homie but business is business.  That made something click in my head.

  Then a day or so later another friend of mine was discussing some concerns he had about a member of their group.  The basics are this, his life is falling apart.  His girl left him, he lost his job, etc.  The problem is that this group has a lot of offers on the table which do not include this member.  My friend was having a hard time cutting him out and I completely understand this.  He didn't want to make the guys life worse but if he didn't let him out of the group the whole group would suffer.  My advice was simple, friends are friends and business is business, you have to do whats best for the group and have concern for your friend outside of that.

So why am I dedicating an enitre blog to such a simple concept?  Well most people have a very difficult time making that distinction and it leads to a lot of hate, animosity, and ill feelings.  I also got an awesome shout out on twitter for this blog and feel like maybe some people in the business are listening to me and agreeing with some of what I am putting out there.  That being said I have experiences I am trying to share to make the underground movement better and want to reach as many people as I can.

With my military background we were trained to make the seperation of work and personal.  In this business that distinction is not always so clear.  Most rappers grew up with the guys they work with.  Most know all of the dirty laundry of the other and vice versa.  Most cannot seperate their personal crap from the business.  And that is what this is a business.  Not a hobby.  Not something to do in your spare time.  Not something you can commit to half heartedly.  This is a business and is here to make money.  Once you let personal feelings get involved in business you fail.  Because at that point you spend more time and energy spreading crap online, in venues, to other people than you do on your product.  A lot of guys find themselves getting arrested and put in jail cause they cannot stop the hate toward the other person, even if it means they lose money and freedom to do it.  BUt in the end their point may be proven but their talents go to waste.

Most of us know what happened to Wicked Wayz.  That is a prime example of what I am talking about.  The personal feelings caused us to lose a talented rapper to gun violence and another to prison.  Not the way any of them wanted it to turn out.

So I will end this post by saying quite simply Friends are Friends and business is business.  If you cannot make that seperation you might want to look at working with other people and leaving your homies out of the business.  Please take time to show love to your friends and respect to the business.  It will benefit us all in the end.

MMFWFL,

Juggalotus

Sunday, February 17, 2013

Hottest rapper in the city of.......

  The underground rap world is flooded with different cliques, different cities, and different views of "how" this game is played.  This has become an epidemic that is eventually going to kill our movement.  As a group we all should understand that we should be united against those trying to shut down what we are doing.  The "Mainstream" is never going to understand what we are doing.  Should that make us hate them?  Should that make us take focus off of what we are doing to "make a statement?"  If you answered no, congratulations you got the right answer.  If you did answer no then why should what anyone else is doing in the underground affect what we do as musicians, producers, and promoters?  You might be asking why I am dedicating an entire blog to something that should be common sense.  Well the answer is simple, I see a problem and if someone doesn't speak up then we all will fail.

Here is the problem:  We are so busy fighting amongst ourselves and fighting against the mainstream we are failing to protect ourselves from being taken advantage of.  By this I mean in most cities you have two groups, the underground rappers and the mainstream rappers.  Both of these groups proclaim to be the greatest thing in the game in their perspective city.  Both claim the other side is horrible.  Both claim to be "Making it" yet neither is.  Both sides are so focused on the next diss track, the next thing to point their finger at and say look how horrible they are, and the next way to prove how great they are.

My solution is simple, stop focusing on everyone else and focus on what is important, the music!  Sound easy enough?  Then why is it not happening?  Well I am going to break down each part of our industry Rappers, Managers, Promoters, and Producers.

Rappers:  If you fall into this category you should be focused on making the best music you possibly can, period.  From writing to recording, to performing you are the face of your brand.  If your focus is on managing, merch, setting up shows, etc. you are going to fail.  No one can do all of that and still make great music.  You should hire a manager you trust.  Someone who can take those responsibilities and make decisions that are best for you as a solo or group act.  By "hiring" the right person you can focus entirely on making your music better.  Yes it will cost you between 8-12% in most cases (if they take more than that you are getting ripped off)  But hiring the right person will make you more money in the long run because the more money you make the more money they make.  The next thing you need to focus on is recording.  There is no shame in going to a professional studio to record or mix and master your music.  The money you put into your product will directly reflect the benefits you get back.  If you invest nothing and record in your basement your product is not good enough to make people want to buy your product.  Believe me when I say I have worked with many people who found this out because I required them to go to a pro studio.  Yes I found a place where cost vs quality was a great deal, thats what a good manager does.

Managers:  Your focus should be on making deals that benefit your acts, not yourself.  If you focus entirely on you then your acts suffer.  You should be dedicating your time to finding better costs for recording, finding more shows to showcase their talent outside of your city, sending out demos to labels and businesses for promotion and/or contracts and reaching out to other artists for collabs.  All of these things will expose your act to a broader audience and gain them noteriety in a much larger base.  Once the deals come in you will start making money.  The one thing you shouldn't do is rape your artists finances.  Yes they are responsible to pay the costs for recording, travel and merch at first, but working this right can allow them to get paid in time and have those costs covered by other companies who sponsor your groups.  The last two things any great manager should have is integrity and honesty.  These two things will make you a valuable asset to any rapper.

Promoters:  If you follow my blog you will know that this section of the business pisses me off more than any other.  This is due to my experience with these people.  The main problem I see in this field is charging artists for timeslots on shows.  I see no problem with requiring an artist to say purchase a certain number of tickets from you directly and then in turn when they sell them they get their money back.  Doing this it does not hurt you in any way.  You are still getting money for the tickets and the responsibility to get them sold falls onto the artist.  You should not be charging $250-400 to someone who is strapped for cash to lock in a 12-15 min slot on your show.  This has been a huge epidemic in our industry.  Artists think that they have to pay these fees to play, this is WRONG.  I do understand you have to make money and have people at your shows.  By giving the artist a cut of the ticket sales they become motivated to sell more tickets.  If they can just pay $200 for a slot what is their motivation to get people in the door?  This now becomes your problem.  They don't care if people are there or not.  By making them invest in the show they will fell more responsible if no one shows up.  They will lose money that they could have made.  This is huge motivation that will improve the attendance in your show.

Producers:  It is ok to charge rappers to record and mix and master.  The problem is if your equipment is low end your end product is low end.  Invest in quality mics and software so the product coming out of your studio will be better received and make people want to buy it.  The more quality recordings you send out the more people are going to come to you and spend money.  Much like the rappers I feel like the money you invest in your studio directly impacts the money you get back in profit.

If you have read through all of this please understand I love this business.  That is exactly what this is, a business.  If you don't look at it as a business you will fail. Leave the street tactics out of the business.  If your focus is not entirely on these things you will be spinning your wheels and getting nowhere.  Rappers need to stop worrying about everyone else.  Managers need to be concerned with making their acts money.  Promoters need to stop making all their money back off the opening acts and learn how to properly and honestly make the money.  Producers need to be reasonable in the amount they charge.  If we all focus on these things we will be successful.  And success is the best revenge to those haters we all have.  If you have haters you are doing something right, don't let their crap stop you.

I have nothing but love for the underground and the movement we are a part of.  I am not an expert by any means but all of these things I speak on are from experience.

MMFWFL,

Juggalotus

Friday, January 25, 2013

Kung Fu Vampire Interview

So my interview with Kung Fu Vampire finally got posted online today!  In it we see a suprise guest spot by Twisted Insane, KFV gives us the low down on new projects, and we find out who will be included in the next album for guest spots!  So take 20 min and go check it out.  It was filmed at the Love Bites Tour stop in Mesa, AZ.



MMFWFL,

Juggalotus

Friday, January 18, 2013

Opening acts and fans are being used

  I have been rolling this idea around in my head for a while.  Several years ago when Alex Abyss left Psychopathic Records I noticed a shift in the promotion, marketing, tickets, and merch that made me a little more than concerned.  The focus of the label shifted from taking care of the fans (family) to making the almighty dollar.  Now don't get me wrong I understand you are in the business to make money.  But from the beginning ICP and Psychopathic Records has made great effort to treat the fans as family.  They always kept ticket prices reasonable for most fans.  The merch was relatively inexpensive.  And the CD releases actually gave a little back with free add ons and other releases outside of the main ones.  Since the change in management I now see ticket prices for shows higher than ever, the Gathering unattainable by most of the fans due to cost, VIP access is $100 and now does not include the $20-25 ticket for the show (the Gathering is only $175 and covers the 4-5 day event) making normal shows almost as much as the Gathering, album releases are at least 3 versions with the only difference being 1 or 2 tracks, and merch through the roof so most of the family cannot afford it.  Psychopathic Records knows their fans are rabid and will buy almost everything they put out regardless of weather or not it is worth it.  All of these things make me feel like they are taking advantage of us as fans.  We deserve better and I think that is one of the main reasons Twiztid has left the label (although they have kept the VIP with no ticket thing).

When I moved near the Amarillo/Lubbock area I started this whole managing musicians thing.  I also booked, promoted, and threw my own concert.  That is when I noticed the opening acts being used.  A promoter will book a show and then charge openers $200-$400 for a 10-15 min slot on the show.  Then they book 8-10 openers which if you add it up comes out to $1600-$4000 from their opening acts!  That covers all of their cost for the show so anything they make from ticket sales goes directly into their pockets.  The crappy thing is opening acts feel that is just how the business works because they have been fed that crap for so long.  Truth is if a promoter wants an opener to sell let's say 20 tickets for a slot at $10 a piece I understand that.  It benefits everyone because more people are at the show and some of the cost is deflected.  But if they do that they should be willing to give their opening acts say $1-2 per ticket they sell as incentive to sell more tickets!  Then everyone is making a little something and is happy.  This is how openers are getting robbed and being used.  If you are an opening act don't fall for it.  Find promoters willing to do the last thing I suggested.  You will still have shows to do, you just wont be getting used to cover all of the promoters costs.  If you guys unite against this stuff it will stop.  The promoter should be making his/her money off the ticket sales from his/her own promotion of the shows.  If they can't make their money back they shouldn't be doing the shows!  I thought it might have just been that area but now I live in Tucson and am seeing the same thing here.  For the upcoming Drive By shows in Farmington and Tucson openers are being asked to sell 75 tickets at $20 a piece.  That comes out to $1500 for a 15 min time slot, or $100/min!  Why would this be ok?  Why would a struggling local act pay that much money to get on a show that will pull some fans but not anywhere near enough to justify that cost.  The only Psychopathic group that would be worth that would be ICP.  I have seen 40-45 date tours with a cost to join of around $2000.  That is 40-45 shows not 1!

The last thing I wanted to touch on was the fact that in Amarillo, Lubbock, Albuquerque, Tucson and many other cities there seems to be a trend of division in the local scene.  This means that any new acts to the area are forced to choose sides or not get put on any shows.  It also means that quality acts from outside that city are not being put on shows so that the promoters friends, venue owners friends, or people down with a certain clique are the only people ever allowed to perform.  Promoters if you have a quality act willing to pay their own way to get to your city to perform and all they ask is that you don't make them pay to play or sell a certain number of tickets (due to their cost of travel and hotel) let em get on your shows!  It can only make it better.  Local acts, don't be so quick to tell an outsider to get lost.  They might be really good and you both can help each other.  All the division is the reason we are losing the edge we once had.  We are so worried about our own personal squabbles we are losing sight of our purpose, making money.  If someone gets you into a diss war, you lose focus on making a great album which can make you money!  If you are beefing in your city and fighting anyone who doesn't like you, you will end up in jail, which makes you lose money!  Leaving petty difference behind and supporting another artist will not kill you and it improves your chance for success.

We need to change these things in our own community.  If we don't we will continue to be used and continue to lose money.  I am not an expert by any stretch but I have seen my fair share of business and how successful people make it.  If we don't change the course of these things we can guarantee the Underground movement will not survive.

MMFWFL,

Juggalotus

Wednesday, January 2, 2013

New year/New Blog

Whats up family!  Well the New Year is upon us and with that comes the start of my new Blog http://interviewsreviewsandmore.blogspot.com/2013/01/welcome-to-lets-review.html#!/2013/01/welcome-to-lets-review.html

This blog is going to be all things non-underground music and movie related.  Have no worries I am still going to be doing this blog and covering all the underground news, CD's, and shows I go to.  So go check out the new blog and show some love to a fellow Juggalo as I venture out of my comfort zone and do my best to open minds to things outside of our normal!

Keep on the lookout over on Faygoluvers for my CD reviews and any other interviews that may be coming your way!!

MMFWFL,

Juggalotus

Tuesday, September 11, 2012

My response to the removal of the Gang label



So I was asked recently to post a blog regarding the FBI labeling us a gang.  Back in November of 2011 I did respond to the release of the list, http://juggalosupport.blogspot.com/2011/11/fbi-and-juggalos.html.  After reading the recent post by Dmize I feel as though I need to write and expansion to the first blog.

The who, what, where, and when are all self explanatory.  Then we come to the why.  This is where I feel the need to add onto this post.  He say “what makes a juggalo "gang affiliated"... there is that small bunch of apples that give us that bad name, but the question on everybodys mind is, why include the whole subculture???”  I agree completely that a few bad apples has spoiled an otherwise peaceful group of people.  He goes on further to state “when these bad apples go out, and commit their crimes, they scream and claim "juggalo" just as a west sider or latin king would represent his set while committing a crime. so as you can see. many bad apples scream juggalo while committing crimes... that got the entire "juggalo family" added to the list. now... do the math.. from one city. to other cities. to state. to nation.....
Juggalo will not be removed from that until it is able to be proven were not all sociopathic assholes that cause shit for people.” 
This is where my opinion differs.  Just because someone commits a crime and claims a certain group of people does not give the government or anyone the right to classify that group of people as a gang.  Throughout history crimes have been committed in the name of things.  During the Crusades terrible things were done in the name of God, yet no religions are on the gang list.  Radical Islam commits crimes and horrific acts in the name of Allah, yet they are not on the gang list.  The Arian Brotherhood, Satanists groups, KKK, Black Panthers, etc all commit crimes while claiming their affiliations but yet none of them made the list.  These group actively advocate violence and disorder in our cities and towns.  When it comes to Juggalos, we are a group of people with a common interest in music.  For the most part we do not commit violent crimes similar to MS 13 or the Latin Kings yet we are being mentioned in the same breath with them because of a few “bad apples.”
He ends the post by asking “HOW DO WE FIX THE PROBLEM!???!!?”
To me the answer is simple.  If you are a true Juggalo/Juggalette and the idea that you are included on the gang list pisses you off, stop doing and committing crimes!   And if you do get caught or arrested for something remember it is not cool or fashionable to scream Juggalo at the top of your lungs to cover up your bad decisions.  If you fall into the category I am in being an old school Juggalo or Lette, act right and show the new generations what the movement is all about.  Don’t tag “Fuck the FBI” “Wicked Clowns” or “Juggalo” on things, tagging is a crime.  Don’t sell drugs, use drugs, or give the authorities any reason to arrest you.  That is why so many of us have a bad name.  Am I saying don’t do those things because I oppose them, no I do not.  But if you are driving in your car with ounces of weed and paraphernalia don’t be mad at the cops when you get searched and arrested!  It is not the cops fault you made a bad choice.  They have a job to do as well.  With the exception of a few “mall cops” I have had police pose questions about my hatchet jerseys.  My answer is always the same “It represents a record label out of Detroit” I have not been arrested or labeled a gang banger because of my music or clothes I choose to wear.  If you respect the authorities they will respect you back.
We will never be removed from the gang list if we continue to perpetuate the image the rest of the world wants to see.  As we approach the holidays I suggest Juggalos and Juggalettes everywhere contact local charities and see if you can volunteer to help.  When you go to help wear a jersey or charm.  Don’t hide the fact you are a juggalo!  Once we start to get positive publicity things will change.  Psychopathic records has for the past few years done these things.  From the toy drive to the free performance at the shelter they are setting the example.  Follow their example and things will change.

MMFWFL,
Juggalotus


Thursday, September 6, 2012

Perception vs Reality

  It has been a little while since I had a serious topic to discuss, but today we get back to voicing opinions about topics to help up and coming artists.  I have found as I grow into my position as a manager I am finding very different types of rappers/artists.  The first group is the group who have never lost sight of where they stand in the business.  They constantly hustle, constantly strive to improve themselves, never forget what they went through to get to where they are in the business, and always try to remember that there are other people who may not be as far along that might need help.  They are aware they may be a medium fish in a small pond and are not afraid of giving a little to smaller fish to help them grow.  Then we have the second group.  This group hustle when it benefits only them, have a view that they are more important than they are, think the world owes them something because they may be starting to make waves, and are consistently regarded as a pain to work with or and asshole. 

Group one has a lot of characteristics that I find desirable.  My first experience with this group was when I was booking and promoting the T.O.N.E-Z show in April of this year.  I had 6 openers and 2 headliners.  Most of the headliners fall into group one.  They were hustling tickets til the day of the show.  Even the day of the show they were at the mall or out trying to get more fans out to the show.  Most of them knew the bigger the crowd the better the show.  After the show two of the openers hit me up for management services because they knew a good manager can make your career move further.  Yes a manager does charge fees and very rarely puts and monetary funds into the acts themselves, the manager puts time and effort into making collabs happen, making merch discounts happen, finding shows for the artist to perform at and spending their own time and energy to get your name known outside of your town or city.  Because of the time and effort involved in making all these things happen the manager normally takes a monthly fee and gets a percentage of all merch sold, appearance fees, etc.  The first group also realized that as they get more popular they might be asked to collab with newer artists.  This can be a positive and negative for all parties involved.  The positives are that the new artist is getting a known artist on a track that may or may not make them famous, but the money involved can be quite high.  The known artist takes the most risk.  If they are not selective and just do all the collabs that come along because someone is paying them they risk overexposure and weakening their standing by having their name on sub-par tracks.  Artists in the first group are willing to take some risks to help further their career or other artists careers.  For newer artists (1-4 years in the business and a few mixtapes or debut album for sale) who are beginning to get asked to collab on tracks my advice would be to do the collabs for free or a max of like $50 for a verse or hook.  Doing this will get your name more known, get you some money for it, and allow newer artists to help both of your careers.  For more established artists (4-6 years in the business and at least a few CD's being sold on the market) I would say no more than $200 for a verse and $100 for collabs.  Of course artists can make their own choices but should definitely consult your manager for their advice.  The artists in this group will also rely on their manager for business decisions.  If they want to collab with more known artists they should tell their manager and let him/her work out the details.  If you want a music video made tell your manager and let them work out the details.  By doing this you will allow yourself less stress and more time to worry about what is the most important, writing lyrics, creating beats, and recording your next hot track.  A good manager/artist relationship is one where the artist focuses on music and the manager handles the business side of the house.  For all these reasons the first group gets my respect and continued support.

Group two is the group I will only work with until they prove they belong in group two.  Artists/promoters/bookers/etc all have similar characteristics. Here is the list to watch out for:

-  Egotistical, they have an inflated sense of self.  This means they may have no cd's on the shelf, no exposure outside of a small geographic area, and limited stage or recording experience but still want to charge $200 for a verse or hook because they "deserve it"

-  Not trustworthy, They think everyone else in the business is fake or not real.  They constantly talk negative about people and have no loyalty to anyone but themselves. If someone can't get them money or fame they will do everything in their power to make that person fail.

-  Two Faced, they will say all the right things to your face to make sure you think they are your friend but as soon as you are not around they bad mouth you.

- Self promoting, refusing to work with anyone they feel "isn't in their league" or is "below them"  May have a very limited following but feel the need to price their merch or collabs way to high because they feel it is owed to them.

Now don't get me wrong I feel most artists need a little ego to make sure they produce great music, but too much ego is a bad thing!  Self promotion is also a good thing as long as you don't lose your head.  People in group two will want to be pampered and waited on hand and foot.  They want other people to tell them how great they are and kiss up to them.  They don't think a manager deserves anything if they haven't put money into the artist.  They feel like no other artist is anywhere near their skill level so they will not work or do shows with most of them.  To them the rap world owes them something even if they have done nothing to earn it.  If you are an artist and after working with most people they don't want to work with you again, you might want to rethink what you are doing.  If you gained a fan base that is so faithful they will buy anything you are selling, don't take advantage of them at every turn to make a buck.

I know I am relatively new to the business but I know who I will and will not work with ever again.  My past blog posts have exposed some people from both groups.  I didn't do it to start beef or make anyone fail in the business.  I did it to make other managers/promoters/bookers aware of the people I have come across that they might wanna look out for.  There is a huge movement right now in the underground rap scene that people are taking notice of.  This movement is made up of people like me with similar feelings on how things should be done.  So if you think I am alone in this I can guarantee you I am not.  Things are changing for the better.

That is all I have right now.  If you have any input please feel free to comment!

MMWFL,

Juggalotus